Mercy

For the Scheherazade Project, on the theme of you, the killer. The theme calls for “(hopefully) fictional stories about you killing somebody else. It could be accidental. It could be deliberate. It could be a complete stranger. Or it could be someone that you’re intimately familiar with.”

Some prefatory remarks are in order. The speaker in this piece is a fictional character I created some time ago for a collaborative work between a friend and me, which I very much hope we’ll take up again. While fictional, Kadu, who later becomes Yksin, holds a lot of me in her, or I hold a lot of her, or both — enough that for years I’ve used Yksin as a username in various venues, & enough that I can call this a “fictional story about me,” of sorts. I wrote a narrative account of the events described in this piece three years ago, but in third person. The writing below is entirely new, describing the same events, but from Kadu’s (“my”) own perspective. This is the only time, actually, that I’ve written her in first person. Adrienne Rich once said that the formalism of her early poetry was like “asbestos gloves” that “allowed me to handle materials I couldn’t pick up bare-handed.” Fiction has a similar shielding effect. Especially, for me, when written in the third person. But the gloves of a first person POV are a lot less impervious to heat. This hit it me a lot harder in the writing than I thought it would.

Mercy

You can’t absolve me. Leave off trying, please, just let it go. I’ve heard all this shit before. All the excuses and justifications — it’s just shit. Let it go.

No. No one else. You’re the first. She knows, of course she does, it’s the official reason I’m outlawed all through the Empire — but me, I’ve never talked with anyone about it before. Unless maybe to the gods, if any even exist. No, the gods never said a damn word to me — it was me I heard all that shit from. How many times do you reckon I’ve thought about it, anyway? Can’t even say it’s been times — you can’t separate it out like that. It’s continuous. It’s always there in my mind, always, and my mind has served up those excuses time and again, and they never work. They’re shit. I’m guilty. That’s all.

The fuck of it is he’s not even the real reason I’m outlawed. That’s just the official reason, the one they put in the wanted bulletins. And… well he… his name was Sask. Sask. He was just, gods, just a servant, maybe a slave… but of course I wasn’t much more than that myself. Just a soldier, yeah, in the Imperial Army, but… so stupid. She saw me and she fancied me, the very crown princess herself fancied me, and I was stupid enough to think I was lucky. At first. Then I figured out… I was something less. A toy, and she was just gonna play with me until she broke me. That was the whole game, you see. To break me, little by little. Make a hole in me and empty me out. That’s how she plays with her toys.

I wasn’t the first, you know….

Once, when I still thought I was lucky, somebody — actually it was ha’Jar, iha’Iag’s cousin — listen to me, I’m still calling them by their titles, like they really are somebody. So… try again. Jar, her name is — Jar saw this soldier and you know, she stopped us there, where this soldier was working, so she could talk with her. She was laughing. No, not the soldier — Jar was, laughing at how this woman flinched, so scared of her. She thought it was funny. That’s what they’re like, her and iha— her & Iag, I mean. That whole lot. Royalty, hell. Jar was laughing, playing with this soldier’s fear, just a simple private soldier, but empty, you know? Hollow. Like all the spirit had leaked from her. So hollow that even the way she was scared of Jar, and she was scared all right, just rang empty, like echoes in an empty house. Nothing lived there. Then we rode away. I was infantry, but I was so special and I was so lucky, and lucky special me, Iag had me trained in horsemanship, advanced fighting techniques, right — so yes, I was riding that day, and we rode off, and Jar says to the lieutenant, but she said it real loud so I knew she wanted me to hear, she says, That’s one of Iag’s old toys. And she laughs, so funny.

I wondered then why she wanted me to hear. Took me awhile to do the reckoning. I was so stupid. But when I did figure it out, I remembered that day, and I knew why she said it so loud. She wasn’t warning me, exactly. More like taunting me. That’s what’s gonna happen to you, Kadu, that’s what she was saying. That’s gonna happen to you, and I’m gonna laugh at you just as much. I’m gonna laugh at how you flinch when I even just notice you. That’s what she was saying to me. I figured that out, and I figured out the training, the advanced sword technique, all of that, it was just so Iag could feel more challenge as she took me apart piece by piece. She liked that resistance, it was so fun for her to overcome it and pare it down, bit by bit, until it was finally all gone. Then, when she’d completely broken me open and poured my spirit into a flagon and drank it down, she’d just send me back to my unit, and every once in awhile she’d ride by, or one of her retainers, just to have a laugh and remember how she’d hollowed me out. Yeah. That was what was in store for me. That’s what Iag had planned for me.

She still does. Catching me is just another part of the game.

So yeah. I’m just… a toy. A big nothing. To them, at least. But I reckon — I deserve better than that. See, that’s what I’m saying. Sask, even if all he was, was hecho’Vichelu’s servant or slave, whatever he was, he deserved better.

He was just trying to save his life that night, just like I was. And what did I do? He was innocent. So was I. But not after that night. Not ever, ever again.

Even so, even after his blood… his blood all over that veranda, oh gods… even after that, that’s not why I’m outlawed. Not for murdering him. The real reason is because I ran away from her. That’s what she thinks my crime is. I ran away, before she could do that to me. It was just convenient for her that I killed him, so she could have them put murderer on the bulletins, and regular folk would see me as a criminal too.

Yes. Yes, that’s what I am. Murderers are criminals, aren’t they? I’m a murderer, aren’t I?

Well yes. Of course she would have killed him if I hadn’t. Didn’t I say that? She might be the iha, but she’s a murderer, she’s a criminal. Worse than I am. All of them are, the royals, a lot of the nobility too. But that doesn’t make me not a murderer.

No. You can justify it all you want, that just doesn’t cut it. Didn’t I say lay off it? Okay, I’ll tell you why. It’s because… because of….

It’s because of how he… he looked at me. That night, on the veranda, it was dark, but I swear I could see into his eyes. It doesn’t make sense I could see his eyes — I was behind him! I had my knee in his back, I was holding him down and my knife at his throat! But I could see them, I swear it, and they were like… they were like my mother’s eyes, just before… when I was little, and the captain’s soldiers — she was pleading — his eyes were like that, and then… then his eyes were like hers were after her pleas ran out and there was no life in them anymore. Like my father’s eyes, too, they killed him first. I don’t know how I remember that. I was only, I don’t know, three years old? Four? And the captain took me? And loved me? That’s what he claimed. After he had his soldiers do that…?

That’s what his eyes were like, Sask’s eyes. That’s how I know I’m a murderer.

He pleaded with me… he said, don’t run, please, she’ll kill me if you escape. Oh, he knew that about her. Our sovereign iha. But she’d do a lot worse to him before the kill. He wouldn’t have to die if I stayed. But then, I knew what would happen to me. It was him or me, you know? Him or me. I guess I gave him that small mercy, that I was his murderer, instead of leaving him for her. I just… slit his throat. Quick and clean. And his eyes went dead. Like my mother’s and father’s.

Oh the blood. It spread under him, but it’s like it entered me, a kind of lukewarm hollowness, it entered my guts and spread like a stain. Can you smell it? I can.

I had to hide his body, just enough so hecho’Vichelu’s incompetent night guards wouldn’t spot him right away next time they came around the house. I had to hide him just well enough that I could get away first. His clothes were very fine white linen, it was bright in that dark night, even they wouldn’t have missed that if I left him where he was. And they were carrying lanterns. So I rolled him on his back so he wouldn’t bleed even more all over the porch, and I dragged him, I used his body like a sponge, his own fine white linen clothes to sop up his blood because it was black but it would be red as soon as they shined any light at all on it. There was still a stain, a big long paintbrush stain, but it wasn’t all in a shiny black puddle. I dragged him across his blood… hid him behind that planter wall, those exotic plants from Greater Teguma that Vichelu kept, all the water he wasted on them in that arid climate. Showing off his wealth. But thank the gods we were in the provinces — it was just as the war was starting, and Iag was guesting at his estate. I never would have escaped from any place that was really hers, or without all the confusion of the war starting. I think that’s what had interrupted her with me — an emergency meeting about what was happening on the border.

I didn’t have any real coins, just the wood pieces they give us to use in commissary. That’s all the funeral I could give him. I closed his eyes. One token on each eyelid, and one between his lips. It wasn’t enough. It never can be.

… No. I won’t ever give myself up, not to them. I’d murder you, if I thought for one minute you’d put them on to me. I would kill you, don’t think I wouldn’t. I’d carry that guilt too. But never, never, never, no… not to them, not to them, not ever to them. They can’t judge me. They could never give him justice.

But you…. If you yourself… if you were the judge. You’d give him justice. You could judge me, you could even be the one to put the noose around my neck, and slap the horse so it’d run out from under me and leave me dangling. If you would do that.

But you won’t, will you? You give me mercy. It confuses me. I don’t deserve any.

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Reset 2

The reset continues, with a little help from my PFD. This pic represents part of that: a new camera, a Nikon Coolpix S10, that arrived yesterday — still learning my way around it, obviously, but I’m pretty damn happy with the 10x zoom. And it’s got me posting pics to Flickr again, for the first time in several months. Good for me, because taking pics gets me out more walking & stuff. Tomorrow lunch I might just go out & see if I can find the moose that’s reported to have been hanging out near the Engineering building. And with 10x zoom, I can take a pretty good closeup pic without running the danger of being trampled to death. Always a good thing.

Day before yesterday: another PFD goodie — a Concept 2 Model D indoor rower, colloquially known as an “erg,” short for “ergometer” because it measures (Gk. metron) work (Gk. ergon). That’s what I hear most, anyway: ‘erg” — but it also can bear the nickname “ergo” — which make me think of the Latin phrase I learned when I was on the Speech Team back in high school: post hoc ergo propter hoc, a logical fallacy (often encountered in debate) meaning after this, therefore because of this (&, as the debate guys on our speech team used to add, usually irrelevant). But in this case, maybe not so irrelevant nor false, since its because of this hoc, that is because of the ergo, that I will have the post-effect of having burnt off plenty of the fat that I put back on after last year’s depression, & then some. So, if I’m gonna call me ergo a name, let me name it Hoc.

In any case, in these the early stages of training, this morning I rowed 1,910 meters in along about 12 minutes. Amazing how just that little bit of physical work increased my energy through the day. Which indeed I was feeling a couple weeks ago when I was dancing most mornings too. By Oct. 25th I think I’ll be far enough along that I can successfully take on & complete the Skeleton Crew challenge, which called for 31,000 meters from Oct. 25 to 31. And following Hallowe’en (or, as I shall celebrate Oct 31/Nov 1, Kekri)? The beginning, of course of NaNoWriMo, when I fully kickstart my writing again: a principal object of doing this reset. I reckon by that time I’ll have a regular erg workout pretty fully integrated into my daily life, which will help with the writing flow too.

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Spiritus Mundi

This is the poem, written in 1995, mentioned in the previous post.

Spiritus Mundi

From the hot core of the planet
come these rocks I bend to pick up near
the railroad tracks and mud flats,
green with algae at low tide,
where I have come walking with the dog.

From the hot red mass of magma rising
comes vapor jetting skyward, steam
condensed against the cold sky ceiling,
rain to cool the flowing lava,
snow and ice to freeze
and crack and quarry rock, to carry
down the mountainsides in streams
the tideland mud, the sharp-edged rock,
the granite in my hand.

From the hot breath of volcanoes
spewed out in glowing clouds
comes this air — the exhalations
of smoking vents cooled
into winds that blow across the inlet,
across tideland, across the dog’s back
as she sniffs along the railroad tracks —
winds that come to me.

And with this wind is given breath
to shape utterance in my mouth,
to heft the word upon my tongue
as my hand hefts the reality of rock —
the word corporeal: the rock
in which the word is anchored
as breath is anchored in the lungs,
as spirit is anchored in the flesh,
as rain falls downward on the dog,
on my shoulders, on the ground,
on the tough skin of this body earth
to the hot rock gravity, the core.

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Terraforming notes

I was doing a little preliminary research on terraforming yesterday — yes, of course, reading the Wikipedia article on it — & a friend asked me what terraforming is. Oh yeah, that’s right: I’m I read a lot of science fiction, & forget that a lot of other people don’t so they might not be familiar with some concepts that I take for granted. Basically, terraforming is the process — mainly a theoretical one at this point — by which a planet other than Earth is rendered fit for human occupation. It’s appeared a lot in science fiction, both in books & in movies/television. The second movie of the “Alien” franchise, the one called “Aliens”, featured Sigourney Weaver as Ripley, backed by a crack team of interplanetary Marines, rescuing a little girl who was the sole survivor of a terraforming project on a planet where Ripley & her ship had encountered the monster bad guy aliens in the first “Alien” movie.

So far the most detailed work I’ve read on terraforming in SF literature has been Kim Stanley Robinson’s Mars trilogy — Red Mars, Green Mars, Blue Mars. Just read them this past spring, tuned into them by a friend (Chris?) after I told him about what I wanted to write this November. That helped quite a bit, giving me a basic idea of some of the processed that might go into the terraforming of a planet. Though when I think back on the state of my knowledge before I read those books, I knew a bit already, just from all the other SF books I’d read. And while not a scientist, I’m not exactly ignorant of a few basics either. A geology class I took backwhen was a big help, not to mention the research I did for a poem I wrote called “Spiritus Mundi” which is in part a sort of a shorthand description of what geologists believe went into the formation of the Earth’s lithosphere, hydrosphere, atmosphere — rock, water, wind — all of which are necessary for the support of the biosphere —life — & with it the noosphere — the realm of humanity.

My premise for the planet on which Cold is set is that it was a lifeless planet in a solar system some many light years from our own, that exploring humans or perhaps robot ships run by humans had come across & deemed capable of being engineered through terraforming to support an Earth-compatible biosphere. Another premise is that it’s now sometime later, decades & perhaps even a century or two later, & the terraforming project is far advanced, such that there is now breathable air on the planetary surface, & it’s increasingly filled with life. But it’s still a tad cold. And most of the humans who now live down on the planet are part of a culture that has for centuries lived within protected habitats: the spaceships that got them to this solar system, the ships or space stations they lived in while they mined the system for the metals & minerals needed for some of their work, the habitats on the planet itself where they lived as the work proceeded.

I.e., a project like this would be a big damn project, would take a long time, & would have a huge impact on the structure of the human society that was actually working on it. The project would, for these people, be their society & culture, & it would be a society & culture that had little trust for the open spaces outside the enclosures of a spaceship or space station or habitat, because open space in outer space is unbreathable vacuum, & open space outside a habitat on a planet undergoing terraforming might have an atmosphere composed of the wrong sorts of gases for a human or other earthly animal to breathe. The safety procedures that started just as commonsensical rules for the humans who first left Earth but knew what out-of-doors was like would become, in time, institutionalized & internalized as being the very nature of things by later generations who had no experience of breathing open air. So when the time eventually comes that the whole goal of terraforming is reached, a lot of the members of that society are going to be too damn scared to walk out of the habitat without a breather.

Change comes with the next generation, with its youth. That’s why the main characters of Cold are young.

But back to terraforming. I don’t want to have to know everything about it. But I do need to know just enough to get me by. Such as what kinds of occupations might people hold in a society that is completely geared toward such a project.

Enough for now. Another of this post’s purposes is to test out the method I intend to use in November — writing in Google Docs since I can do that from both my own laptop & from my computer at work (during lunchtimes only, of course) without having to email files back & forth to myself — & then, when I get done with a day’s writing, to publish it directly from Google Docs to the blog. Of course, I could always do the writing directly in the blog, but it doesn’t count the words like Google Docs does. Right now I’m at… 870 words. Whoa. That would be more than half my daily quota of 1,667 if this was November! Hey, this might be possible after all!

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Cold, the blog

Okay, I just got done setting up & writing the first post for the blog I’ll be using for the writing of my NaNoWriMo 2007 novel, entitled Cold. The URL cold.blogspot.com is already taken. So I settled for cold-brrr.blogspot.com. It’ll be a cold-brr damn month, this November, in more ways than one!

The blog is private for copyright reasons, but I’ll be inviting a lot of friends, family, & Internet acquaintances to it so they can keep up with it if they want. If you haven’t received a direct invitation, but would like to see what I’m up to this next couple of months, write an email to yksinainen at gmail.com to ask me. I’ll email you an invitation. In this email, there’ll be a link which will let you do one of three things:

* Sign in to an existing Google account.
* Create a new Google account.
* View your blog as a guest (no account required).

In the first two cases, you’ll be given permission to view my cold-brr blog anytime you’re logged into your Google Account. As a guest, you can see my blog by clicking the link from the invitation email, but this guest pass will expire after two weeks. After that, you’ll need a new invitation. That’s okay with me: just ask me when you need a new one.

The writing of the novel will be in November; but I’ll also be posting backstory notes & the like to the blog during October & probably during the writing itself.

NaNoWriMo 2007 registration opens tonight. Time to get ready for what promised to be a wild ride.

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About "Cold"

[Originally written at cold-brrr.blogspot.com, a private invitation-only blog where I posted all my NaNoWriMo posts during November 2007.  Since Cold is still a work-in-progress, most of those posts still remain private.]

You can read more about what NaNoWriMo is & why I’m doing it in my main blog. The origins of the idea for Cold, the novel I plan to write this November for NaNoWriMo, is there too. But about Cold itself:

About Cold. Cold is (or will be) a novel about two young women who live on a planet in the late stages of terraforming. They’ve just met again at age 17 after one of them, Boleyn, returns from a sort of exile that she & her family have been in since Boleyn was 12 due to some kind of disgrace that her parents got into — they’d been sent to some kind of hardship duty at a remote project facility for five years. Emphasis will be more on human & social issues than on science (good thing, since I’m not a scientist) — I want to explore how human communities, & the overall ecologies they are part of, might evolve in a place that’s truly new, with no other populations whether human or alien to be “conquered” or “assimilated”? How does a planet that was formerly barren of life become, eventually, “home”?

About this blog. I’m writing this post on October 1, just a few hours away from the opening of sign-up for this year’s NaNoWriMo. A good time to start up the blog, then. When November comes along, I’ll mostly be posting the actual daily writing necessary to meet the goal of a 50,000 novel (or some travesty thereof) in a month. But before then, & probably also during, there will be other posts that are notes, lists, speculations, backstories, maybe some scribbledy maps — the kinds of stuff that gets written around the actual writing. But no actual novel-writing until November 1. I’ll make it easy to distinguish between actual novel writing & notes with labels. For example, notice how this post has the labels notes and about (below). A Table of Contents will show up at some point too.

Feel free to comment or ask questions. Anyone invited to read this blog is my friend, & comments, whether critical or laudatory, are welcome. Questions too! Yes, & I’ll even answer ’em! Just remember this will be a hell-bent-for-leather writing, so you can expect some rough spots. We’ll save the polish for later.

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NaNoWrimoLesbo


NaNoWrimoLesbo
Originally uploaded by yksin

I did this icon, based on the main NaNoWriMo icon, for a Facebook group for lesbians/dykes who are writing novels during NaNoWriMo this November, and/or who have lesbian/dyke characters in the novel they’re going to be doing; or who are friends/family offering moral support to either of the above. Dunno if anyone will join; guess we’ll see. Meantime I’ll use this for my NaNo posts here too.

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NaNoWriMo 2007: What I'm gonna write & how I'm gonna write it (the origin of "Cold")

It was a cold-arse night two years ago — evening, really, just after work, but this is Alaska, so it was dark, & yeah cold (& I say “arse” instead of “ass” for the benefit of my non-Amurrican friends who speak different brands of English) — & I was walking from the bus stop at Northern Lights & Seward Hwy. to a café to meet my sweetie, & as I was crossing in front of Sears the question came into my head:

What does cold feel like?

Pretty obvious, you say. Damn right. But I’m a writer, so next thing comes into my head was, Now who would be asking that question? And immediately after that: And who would she be asking? (Notice how I’d already made one decision: that the asker was a she; the one being asked became a she pretty damn quick too.) And on from that: What would be their circumstances, such that such a question would be asked?

Well, just as much as I’m a dyke (hence she & <she), so am I a great lover of science fiction, so: by the time I’d gotten across Benson Boulevard & into the warmth of Café Felix to join my honey for tea, I knew that my characters were two young women who lived on a planet in the late, but still very cold, stages of terraforming. She #1, the asker, had never been but briefly outside the warmth of the habitats in which most of those involved in this project lived; she #2, the asked, had been. And #2 would take #1 out there, so she could know what cold was, firsthand. They’d also become lovers, of course, though the point here is not a love story per se.

That was about it. I had the idea, it floated around in the back of my mind.

Then last winter came about, & the dark of November, more cold-arse nights. Under the influence of the cold, the story began slowly to embroider itself. Completely in my head, until one day maybe last February I wrote some of it down, maybe a page. No further, because that’s when I decided I’d be doing NaNoWriMo this November, & I want all the writing to be fresh, to save as much as possible for the discovery of the writing. But I will add that somehow I decided the first time I previews of the Showtime series “The Tudors” that #2, the asked, will be named Boleyn; #1 is probably going to be named Maev, not quite sure yet. At the story’s commencement, they are both 17, meeting each other again for the first time since they were 12, when some disgrace or another sent Boleyn’s parents, & her with them, into some kind of exile, maybe assignment to hardship duty at some remote facility of the terraforming project.

We’ll see what else comes out in the first draft of writing.

How I’ll do it: on a blog right here at blogger.com. It’ll be a private blog, for copyright etc. reasons, but I’ll be inviting friends & family to the blog so they can read it if they want, & to comment or even make story suggestions. If you’re interested, just ask. Just be aware that a first draft written at such a pace won’t be polished. But I’m not a half bad writer even on the fly, if I’ve got my momentum going.

Stay tuned.

Oh. The title of the novel? Cold.

Note from a few years later: The blog mentioned was cold-brrr.blogspot.com, a private invitation-only blog where I posted all my NaNoWriMo posts during November 2007. Since Cold is still a work-in-progress, most of those posts still remain private.

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NaNoWriMo 2007: What it is

I’ve heard about it for several years; this year I’ve decided to do it. But before I say further, perhaps I should explain what it is.

NaNoWriMo stands for National Novel Writing Month; here’s its website, & here’s the article about it on Wikipedia. The basic idea is to write a short novel’s worth of material — 50,000 words — in a month, an average of 1,667 words per day, which is about 6 pages of double-spaced manuscript. The guys who made this event up held it the first time in July; since then they’ve done it in November to take advantage of the crappy weather, so they say. I reckon it’ll take some creativity be sure Thanksgiving doesn’t get in the way, but on the other hand that’s also a four-day weekend so that’s more full days for writing. And of course despite the word “National” in the event’s title, it’s not restricted to U.S. citizens, so all you non-U.S.ers don’t have to worry about Thanksgiving anyway. (Though perhaps you have other November holidays to worry about.)

The reason I haven’t done NaNoWriMo before is because I’ve already had a novel-in-progress, which requires a bit more thought than one month would give it. Obviously, since I’m still working on it. And why take on another project that might distract from the one already going? Well, partly because what with this & with that, lots of my writing efforts have been sabotaged (including self-sabotaged) already. I decided to do NaNoWriMo mainly for one reason: to clean out clogs in my pipes, to get the creative flow & momentum going again, to just get down & get to work. And then, once the month is over, to keep that momentum.

The NaNoWriMo “rules” (most of which are based on the honor system, since they don’t check up on you) say that a na-novel needs to be a new project — i.e., people shouldn’t be working on stuff they’ve already worked on. All the work of the month, every word set down, should be “new” work. Fine by me. I’ve actually got a project in mind, that came into my head one cold night two winters ago — maybe it was even a November night. But that’s for a separate blog post.

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The earworm rush is on

I was doing my prep for the day this morning when I noticed I had a song stuck in my head — they call it an earworm — in this case, the theme song from “Beverly Hillbillies.” Why, I thought, why do I have the theme song from “Beverly Hillbillies” running through my head? This is annoying. And I quickly ransacked my mind for a remedy.

Which was this:

The bluest skies you’ve ever seen are in Seattle
And the <something (hills?)> the greenest green in Seattle
Like a beautiful child
growing up free & wild
full of hopes & full of fears
full of laughter full of tears
full of <something> through the years
in Seattle….

Recognize that? It’s the theme song from “Here Come the Brides,” an old TV series about lumberjacks (remember David Soul? Bobby Sherman?) in early Seattle & the potential brides imported from New Bedford, Massachusetts. I haven’t seen this show seen since I was a kid when it last aired in 1970. But I still knew the music well enough to have it as an earworm.

Then, as I was driving to work, it occurred to me that the earworms seemed to be traveling — from Beverly Hills, to Seattle — why, they seemed to be moving —

North to Alaska
They’re goin’ north, the rush is on

(Starring John Wayne, no less.)

Apparently the earworms went through San Fransisco too fast for their hearts to get stuck there. Too bad. Then maybe my mind could’ve been left in peace.

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