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	<title>Henkimaa &#187; science fiction</title>
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		<title>The Daily Tweets, 2010-04-19: “Riverworld” livesnark</title>
		<link>http://www.henkimaa.com/2010/04/19/the-daily-tweets-2010-04-19/</link>
		<comments>http://www.henkimaa.com/2010/04/19/the-daily-tweets-2010-04-19/#comments</comments>
		<pubDate>Tue, 20 Apr 2010 03:45:54 +0000</pubDate>
		<dc:creator>Mel Green</dc:creator>
				<category><![CDATA[The Daily Tweets]]></category>
		<category><![CDATA[livesnark]]></category>
		<category><![CDATA[Philip José Farmer]]></category>
		<category><![CDATA[science fiction]]></category>
		<category><![CDATA[Things I did instead of going to bed at a reasonable hour]]></category>

		<guid isPermaLink="false">http://www.henkimaa.com/?p=6541</guid>
		<description><![CDATA[SyFy's latest adaptation of Philip José Farmer's "Riverworld" series is just as sucky as the last one (when they were SciFi Channel), in spite of some actors I like. <a href="http://www.henkimaa.com/2010/04/19/the-daily-tweets-2010-04-19/">Continue reading <span class="meta-nav">&#8594;</span></a><div><a class="addthis_button" href="//addthis.com/bookmark.php?v=250" addthis:url='http://www.henkimaa.com/2010/04/19/the-daily-tweets-2010-04-19/' addthis:title='The Daily Tweets, 2010-04-19: “Riverworld” livesnark '><img src="//cache.addthis.com/cachefly/static/btn/v2/lg-share-en.gif" width="125" height="16" alt="Bookmark and Share" style="border:0"/></a></div>


Related posts:<ol><li><a href='http://www.henkimaa.com/2009/10/11/the-daily-tweets-2009-10-11/' rel='bookmark' title='The Daily Tweets, 2009-10-11: The Running Man livesnark'>The Daily Tweets, 2009-10-11: The Running Man livesnark</a></li>
<li><a href='http://www.henkimaa.com/2009/10/10/tired-of-kvetching-about-the-twitter-quitter-snark-about-the-governator-instead/' rel='bookmark' title='Tired of kvetching about the Twitter Quitter? Snark about the Governator instead!'>Tired of kvetching about the Twitter Quitter? Snark about the Governator instead!</a></li>
<li><a href='http://www.henkimaa.com/2009/10/13/the-daily-tweets-2009-10-13/' rel='bookmark' title='The Daily Tweets, 2009-10-13: Your spearhead is wilting'>The Daily Tweets, 2009-10-13: Your spearhead is wilting</a></li>
</ol>]]></description>
			<content:encoded><![CDATA[<p><a href="http://www.amazon.com/gp/product/0765326523?ie=UTF8&amp;tag=henkimaa&amp;link_code=as3&amp;camp=211189&amp;creative=373489&amp;creativeASIN=0765326523" target="_blank"><img class="alignright" title="To Your Scattered Bodies Go by Philip José Farmer" src="http://www.henkimaa.com/images/books/riverworld.jpg" alt="To Your  Scattered Bodies Go by Philip José Farmer" width="305" height="475" /></a>Late  on the evening of April 18,  I turned on the TV for company while I  finished up my previous blog post, &amp; discovered SyFy’s new  production of “Riverworld” was playing. This is an adaptation of the <a href="http://en.wikipedia.org/wiki/Riverworld" target="_blank">“Riverworld”</a> series  by <a href="http://www.pjfarmer.com/" target="_blank">Philip  José Farmer</a>, which began with his Hugo-winning novel <a href="http://www.amazon.com/gp/product/0765326523?ie=UTF8&amp;tag=henkimaa&amp;link_code=as3&amp;camp=211189&amp;creative=373489&amp;creativeASIN=0765326523" target="_blank"><em>To  Your Scattered Bodies Go</em></a> (1971).</p>
<p>SyFy had made a previous attempt at adapting it when it was still the  SciFi Channel, &amp; it sucked.  I thought this one might be better.   But it wasn’t.  And next thing you know I was embarked upon a  spontaneous livesnark.  (Intermixed with a few comments on that night’s  action at the Alaska Legislature — the last night of this year’s session  — which some of my more politically attuned friends were attuned to at  the time.)</p>
<p>(Last time I’d done a livesnark was with my friend Janson — we  snarked the Schwarzenegger movie<a href="http://www.henkimaa.com/2009/10/11/the-daily-tweets-2009-10-11/" target="_blank"> “The Running Man”</a> one day last October.  Too bad he wasn’t around  for this one!)</p>
<p>I was snarking away until 2:00 AM.  Dumb on a night before work, but  there you have it.  My advice: <a href="http://www.amazon.com/gp/product/0765326523?ie=UTF8&amp;tag=henkimaa&amp;link_code=as3&amp;camp=211189&amp;creative=373489&amp;creativeASIN=0765326523" target="_blank">read  the books</a>.</p>
<h2>Livesnark</h2>
<ul>
<li>I like Tahmoh Penikett, Alessandro Juliani, Thea Gill, &amp; Alan  Cumming, but this is as sucky an adaptation of “Riverworld” as the last  one. <a href="http://twitter.com/yksin/statuses/12442114604" target="_blank">#</a></li>
<li>SyFy adaptation of “Riverworld”: Thea Gill is a smurf. I liked her  better as a lesbo in Queer as Folk. <a href="http://twitter.com/yksin/statuses/12443136793" target="_blank">#</a></li>
<li>How did Richard Burton become bad guy? In original “Riverworld” by  Philip Jose Farmer, he was a good guy – the famous English explorer. <a href="http://twitter.com/yksin/statuses/12443189166" target="_blank">#</a></li>
<li>Now here’s Samuel Clemens (Mark Twain) w/ his “Riverworld”  riverboat. This one has a horrible fake southern accent. <a href="http://twitter.com/yksin/statuses/12443211757" target="_blank">#</a></li>
<li>I think this adaptation of “Riverworld” would be a whole lot cooler  if it had Xena and Gabrielle. <a href="http://twitter.com/yksin/statuses/12443879013" target="_blank">#</a></li>
<li>The really sad thing about this adaptation of “Riverworld” is that I  didn’t have @<a href="http://twitter.com/jansonjones" target="_blank">jansonjones</a> hereabouts to  livesnark it with me. <a href="http://twitter.com/yksin/statuses/12444149794" target="_blank">#</a></li>
<li>There’s smurf Alan Cumming again…. <a href="http://twitter.com/yksin/statuses/12444494672" target="_blank">#</a></li>
<li>See, further proof Xena should be in this adaptation of  “Riverworld.” She says “Kill them – kill them all” much better than  Pizzaro does. <a href="http://twitter.com/yksin/statuses/12444527144" target="_blank">#</a></li>
<li>Huh oh, smurf Alan Cumming doing something meanie to Tahmoh. Sorry,  Tahmoh, you’da been better off as a Cylon. You’da had better writing  too. <a href="http://twitter.com/yksin/statuses/12444808835" target="_blank">#</a></li>
<li>Only reason I can think they’d make Sir Richard Burton a bad guy  when he was orig. a good guy is b/c SyFy likes its baddies w/ Brit  accents. <a href="http://twitter.com/yksin/statuses/12444908632" target="_blank">#</a></li>
<li>But it all goes to show SyFy original movies are just as sucky as  SciFi original movies. <a href="http://twitter.com/yksin/statuses/12444935672" target="_blank">#</a></li>
<li>Smurf Alan Cumming is a phrenologist? <a href="http://twitter.com/yksin/statuses/12444975888" target="_blank">#</a></li>
<li>[While I livesnark "Riverworld," I'm reading my friends livesnark...  er... livetweet -- the end of AK legislative session. Thanks friends!] <a href="http://twitter.com/yksin/statuses/12445016512" target="_blank">#</a></li>
<li>[Specifically: thanks to @<a href="http://twitter.com/shannynmoore" target="_blank">shannynmoore</a> @celticdiva @<a href="http://twitter.com/alaskacommons" target="_blank">alaskacommons</a> for giving us sane commentary on AK legislature] <a href="http://twitter.com/yksin/statuses/12445052707" target="_blank">#</a></li>
<li>RT: @<a href="http://twitter.com/celticdiva" target="_blank">celticdiva</a>: YES WE HAVE A CRIME  LAB!! NOW eat it, teabaggers! // Very good news! <a href="http://twitter.com/yksin/statuses/12445081718" target="_blank">#</a></li>
<li>Looks like the samurai woman has found Smurf Central of  “Riverworld.” <a href="http://twitter.com/yksin/statuses/12445428035" target="_blank">#</a></li>
<li>Evil Smurf Alan Cumming chewed way too much of Willy Wonka’s  blueberry chewing gum. He’s been squeezed, but lost all sense of humor. <a href="http://twitter.com/yksin/statuses/12445574419" target="_blank">#</a></li>
<li>RT: @<a href="http://twitter.com/shannynmoore" target="_blank">shannynmoore</a>: Adjorned Sine  Die…. // congrats AK Leg on passing a budget with crime lab. <a href="http://twitter.com/yksin/statuses/12445626584" target="_blank">#</a></li>
<li>Between Thea Gill &amp; Alan Cumming, looks like “Riverworld” is  gonna have a smurf civil war. <a href="http://twitter.com/yksin/statuses/12445750235" target="_blank">#</a></li>
<li>okay add a stereotyped German to all the other stereoptypes in this  ridiculous adaptation. <a href="http://twitter.com/yksin/statuses/12446181095" target="_blank">#</a></li>
<li>Ludwig’s German accent is even worse than Samuel Clemens’ southern  accent. Philip Jose Farmer rolling in his grave. <a href="http://twitter.com/yksin/statuses/12446274923" target="_blank">#</a></li>
<li>In this “Riverworld” Earth prob attacked &amp; destroyed by Smurfs.  But if Yellow Submarine instead of a zeppelin, it wd be the Blue  Meanies. <a href="http://twitter.com/yksin/statuses/12446357319" target="_blank">#</a></li>
<li>So where did the evil Sir Richard Burton get ground-to-air missiles  for his riverboat? <a href="http://twitter.com/yksin/statuses/12446843168" target="_blank">#</a></li>
<li>&amp; now it turns out the fate of “Riverworld” rests upon results  of a stupid love triangle. How completely plotfail… <a href="http://twitter.com/yksin/statuses/12447367723" target="_blank">#</a></li>
<li>… as well as actfail, writefail, &amp; directfail. <a href="http://twitter.com/yksin/statuses/12447376998" target="_blank">#</a></li>
<li>Female samurai much more worthy love interest than love triangle  g/f. But even better: don’t make this into a series. #<a href="http://search.twitter.com/search?q=%23Riverworldfail" target="_blank">Riverworldfail</a> <a href="http://twitter.com/yksin/statuses/12447578437" target="_blank">#</a></li>
<li>“A sequence of events leads to a consequence.” Duh. Hope my writing  never gets that shitty. <a href="http://twitter.com/yksin/statuses/12447678841" target="_blank">#</a></li>
<li>Sad to say Tahmoh Penikett shows not much range of acting between  BSG, Dollhouse, &amp; this. Too bad. But now tonight’s travesty is over:  bed. <a href="http://twitter.com/yksin/statuses/12447801859" target="_blank">#</a></li>
</ul>
<p>My plea to <a href="http://en.wikipedia.org/wiki/Tahmoh_Penikett" target="_blank">Tahmoh Penikett</a> (Helo of “Battlestar Galactica” &amp; Paul Ballard of “Dollhouse”), who I  quite like: find some projects that allow you to really use your acting  chops.  Please.  It was really nice to see <a href="http://en.wikipedia.org/wiki/Thea_Gill" target="_blank">Thea Gill</a> (Lindsay Peterson in “Queer as Folk”), but she wasn’t given much to  work with here.  <a href="http://en.wikipedia.org/wiki/Alessandro_Juliani" target="_blank">Alessandro  Juliani</a> (Felix Gaeta of “Battlestar Galactica”): also not given much  to work with — his role seemed mainly to smile a lot and then get  killed by Pizzaro.  I like <a href="http://en.wikipedia.org/wiki/Alan_Cumming" target="_blank">Alan Cumming</a> a lot,  but again — not much to work with here.  His Evil Smurf’s real  character name was apparently “Judas Caretaker.”  It’s been a long time  since I read the books, but I’m pretty sure they had no such character.   Those are the actors I was familiar with.</p>
<p>I’ve seen the the guy who played evil <a href="http://en.wikipedia.org/wiki/Richard_Francis_Burton" target="_blank">Sir Richard  Francis Burton</a> in something else, but can’t think of what.</p>
<p>It was the most appalling thing about this adaptation that Burton was  turned into a one-dimensional evil bad guy. In real life, he was a  richly fascinating person. <a href="http://en.wikipedia.org/wiki/Richard_Francis_Burton" target="_blank">Wikipedia</a>:</p>
<blockquote><p>Captain <strong>Sir   Richard Francis Burton</strong> KCMG FRGS (19 March  1821 – 20 October  1890) was an English explorer, translator, writer, soldier,   orientalist, ethnologist, linguist,  poet, hypnotist, fencer and  diplomat.  He was known for his travels and explorations within Asia and  Africa as  well as his extraordinary knowledge of languages and  cultures.  According to one count, he spoke 29 European, Asian, and  African  languages.</p></blockquote>
<p>He was the protagonist of Farmer’s books, and as I recall was pretty  interesting in them too. A far more interesting protagonist than the  one-dimensional generic  good guy Matt Ellman played by Tahmoh Penikett,  who differed from the  one-dimensional generic good guy Jeff Hale  played by Brad Johnson in the  2003 SciFi Channel version only in  profession (2003: American  astronaut; 2010: American war reporter).</p>
<p>Like SciFi Channel’s “Earthsea” miniseries in 2004, which <a href="http://www.henkimaa.com/2005/10/24/sci-fi-channel-is-to-earthsea-as-bush-is-to-the-us/" target="_blank">completely  screwed over Ursula K. Le Guin’s Earthsea novels</a>, both this and the  prior adaptation of “Riverworld” are fine examples of good  science/fiction fantasy made into bad by writers and producers who just  can’t seem to give a sh*t.</p>
<p>After “Riverworld” I went to bed.  The rest of the day’s tweets are  from the workaday day.</p>
<ul>
<li>RT: @<a href="http://twitter.com/jansonjones" target="_blank">jansonjones</a>: the semester  begins to end <a rel="nofollow" href="http://bit.ly/bkPU3C" target="_blank">http://bit.ly/bkPU3C</a> // Yay! <a href="http://twitter.com/yksin/statuses/12464878134" target="_blank">#</a></li>
<li>@<a href="http://twitter.com/jansonjones" target="_blank">jansonjones</a> Hey, I missed you  during my spontaneous livesnark of SyFy’s Bad Adaptation #<a href="http://search.twitter.com/search?q=%232" target="_blank">2</a> of “Riverworld”  last night. <a href="http://twitter.com/yksin/statuses/12464925740" target="_blank">#</a></li>
<li>@<a href="http://twitter.com/jansonjones" target="_blank">jansonjones</a> You’ll have to  check out my “Daily Tweets” post when it posts tonight. I hope I did  justice to its wretchedness! <a href="http://twitter.com/jansonjones/statuses/12466200234" target="_blank">in reply to  jansonjones</a> <a href="http://twitter.com/yksin/statuses/12466358208" target="_blank">#</a></li>
<li>Fifth homeless death this spring, per @<a href="http://twitter.com/adndotcom" target="_blank">adndotcom</a> “Woman  dead in SUV may have been homeless” <a rel="nofollow" href="http://bit.ly/amgwL3" target="_blank">http://bit.ly/amgwL3</a> <a href="http://twitter.com/yksin/statuses/12469077868" target="_blank">#</a></li>
<li>RT: @<a href="http://twitter.com/berickcook" target="_blank">berickcook</a>: My frustration was  compounded by seeing the huge Foucault Pendulum at the UAA library./ I  work just upstairs from that. <a href="http://twitter.com/yksin/statuses/12469103980" target="_blank">#</a></li>
<li>RT: @<a href="http://twitter.com/SistersTalk" target="_blank">SistersTalk</a>: Dan Choi &amp;  Right Wingers Agree: Obama’s Gay Hospital Visitation Decree An  Abomination – <a rel="nofollow" href="http://bit.ly/cB4zql" target="_blank">http://bit.ly/cB4zql</a> / wrong, Dan <a href="http://twitter.com/yksin/statuses/12469259293" target="_blank">#</a></li>
<li>@<a href="http://twitter.com/berickcook" target="_blank">berickcook</a> I have a growing  curiosity about what, specifically, the life-defining struggle you’re  facing is about. Can you explicate? <a href="http://twitter.com/berickcook/statuses/12471160081" target="_blank">in reply to  berickcook</a> <a href="http://twitter.com/yksin/statuses/12471286226" target="_blank">#</a></li>
<li>@<a href="http://twitter.com/berickcook" target="_blank">berickcook</a> Ah, sounds v.  interesting. Power that doesn’t create toxic waste products? (which I  hope factors in your def. of “sustainable”) <a href="http://twitter.com/berickcook/statuses/12472059594" target="_blank">in reply to  berickcook</a> <a href="http://twitter.com/yksin/statuses/12472990467" target="_blank">#</a></li>
</ul>
<div><a class="addthis_button" href="http://www.henkimaa.com//addthis.com/bookmark.php?v=250" addthis:url='http://www.henkimaa.com/2010/04/19/the-daily-tweets-2010-04-19/' addthis:title='The Daily Tweets, 2010-04-19: “Riverworld” livesnark '><img src="//cache.addthis.com/cachefly/static/btn/v2/lg-share-en.gif" width="125" height="16" alt="Bookmark and Share" style="border:0"/></a></div>

<p>Related posts:<ol><li><a href='http://www.henkimaa.com/2009/10/11/the-daily-tweets-2009-10-11/' rel='bookmark' title='The Daily Tweets, 2009-10-11: The Running Man livesnark'>The Daily Tweets, 2009-10-11: The Running Man livesnark</a></li>
<li><a href='http://www.henkimaa.com/2009/10/10/tired-of-kvetching-about-the-twitter-quitter-snark-about-the-governator-instead/' rel='bookmark' title='Tired of kvetching about the Twitter Quitter? Snark about the Governator instead!'>Tired of kvetching about the Twitter Quitter? Snark about the Governator instead!</a></li>
<li><a href='http://www.henkimaa.com/2009/10/13/the-daily-tweets-2009-10-13/' rel='bookmark' title='The Daily Tweets, 2009-10-13: Your spearhead is wilting'>The Daily Tweets, 2009-10-13: Your spearhead is wilting</a></li>
</ol></p>]]></content:encoded>
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		</item>
		<item>
		<title>Storyminded</title>
		<link>http://www.henkimaa.com/2010/03/02/storyminded/</link>
		<comments>http://www.henkimaa.com/2010/03/02/storyminded/#comments</comments>
		<pubDate>Wed, 03 Mar 2010 05:33:52 +0000</pubDate>
		<dc:creator>Mel Green</dc:creator>
				<category><![CDATA[Cold]]></category>
		<category><![CDATA[Long Dark]]></category>
		<category><![CDATA[Asura (Long Dark)]]></category>
		<category><![CDATA[Crossed Genres]]></category>
		<category><![CDATA[science fiction]]></category>
		<category><![CDATA[Science in My Fiction (blog)]]></category>
		<category><![CDATA[writing]]></category>

		<guid isPermaLink="false">http://www.henkimaa.com/?p=6244</guid>
		<description><![CDATA[Two things bring on storymind tonight: a cool new blog called Science in My Fiction by my pals at Crossed Genres; &#038; the story of murder, an interstellar spaceship, &#038; Lord Shiva that I'm about to start working on. <a href="http://www.henkimaa.com/2010/03/02/storyminded/">Continue reading <span class="meta-nav">&#8594;</span></a><div><a class="addthis_button" href="//addthis.com/bookmark.php?v=250" addthis:url='http://www.henkimaa.com/2010/03/02/storyminded/' addthis:title='Storyminded '><img src="//cache.addthis.com/cachefly/static/btn/v2/lg-share-en.gif" width="125" height="16" alt="Bookmark and Share" style="border:0"/></a></div>


Related posts:<ol><li><a href='http://www.henkimaa.com/2010/02/01/crossed-genres-anthology-released/' rel='bookmark' title='Crossed Genres anthology released — complete w/ my story &quot;Cold&quot;'>Crossed Genres anthology released — complete w/ my story &quot;Cold&quot;</a></li>
<li><a href='http://www.henkimaa.com/2009/10/03/now-i-really-feel-like-a-writer-again/' rel='bookmark' title='Now I REALLY feel like a writer again'>Now I REALLY feel like a writer again</a></li>
<li><a href='http://www.henkimaa.com/2007/09/28/nanowrimo-2007-what-im-gonna-write-how-im-gonna-write-it/' rel='bookmark' title='NaNoWriMo 2007: What I&#039;m gonna write &amp; how I&#039;m gonna write it (the origin of &quot;Cold&quot;)'>NaNoWriMo 2007: What I&#039;m gonna write &amp; how I&#039;m gonna write it (the origin of &quot;Cold&quot;)</a></li>
</ol>]]></description>
			<content:encoded><![CDATA[<p><a title="Waiting for the movie to begin (046/365) by yksin, on Flickr" href="http://www.flickr.com/photos/henkimaa/2096562704/" target="_blank"><img src="http://farm3.static.flickr.com/2225/2096562704_775f32b08d.jpg" alt="Waiting for the movie to begin (046/365)" width="500" height="375" /></a></p>
<table border="0" align="right">
<tbody>
<tr>
<td>
<h3><strong><em>Cold</em> and <em>Long  Dark</em></strong></h3>
<ul>
<li>Read the story <a href="http://crossedgenres.com/archives/012/cold-by-melissa-s-green/" target="_blank">“Cold”</a><br />
in <em>Crossed Genres</em> Issue #12</li>
<li>Read <a href="http://www.henkimaa.com/2010/01/15/shark-a-story-for-haiti/" target="_blank">“Shark”</a> right<br />
here at Henkimaa</li>
<li><a href="http://www.henkimaa.com/category/field-of-words/cold/" target="_blank">More about <em>Cold</em></a></li>
<li><a href="http://www.henkimaa.com/category/field-of-words/long-dark/" target="_blank">More  about <em>Long Dark</em></a></li>
</ul>
</td>
</tr>
</tbody>
</table>
<p>Okay, well this photo is of me at one of my local movie theaters  reading one of my favorite novels, C.J. Cherryh’s <em>Cyteen</em>, while  waiting for “The Golden Compass” to begin.  So one could say I was  awash in storymind in a way — in <em>other</em> people’s stories.</p>
<p>But mostly when I talk <em>storymind</em> I’m talking about that  weird space in my own mind when I’m deepstewing in my own creative  juices, &amp; I hope I can get all the stuff I’m thinking down on paper  (or virtual paper — wherever my wordprocessing happens to take place)  before I lose track of it all.</p>
<p>I have a piece I need &amp; promised to write about the ongoing <a href="http://www.henkimaa.com/tag/sheraton-anchorage/" target="_blank">Sheraton  Anchorage hotel boycott</a>, &amp; it will get written. But storymind’s  where it’s at tonight, sorry folks.</p>
<p>Part of what prompts it is this <strong>really cool new blog</strong> that my friends over at <a href="http://crossedgenres.com/" target="_blank">Crossed Genres</a> started up a few  days ago.  It’s called <strong><a href="http://crossedgenres.com/simf/" target="_blank">Science in My Fiction </a></strong> — a blog guaranteed to get readers participating in storymind.  Fits  right in, too, with stuff I was saying the other day about <a href="http://www.henkimaa.com/2010/02/06/good-for-my-worldbuilding-bad-for-my-world/" target="_blank">extrapolating  from the present into the future</a>, one of the tools for  worldbuilding in science fiction.  I was talking then about  extrapolating from the current political situation vis-a-vis  corporations.  Science in My Fiction is talking about — oh but hey, let  me just quote from <a href="http://crossedgenres.com/simf/contributors/" target="_blank">Kay Holt</a>’s  inaugural post over there:</p>
<blockquote><p><span style="color: #993300;">Lately there’s been  an alarming trend away from the logical path. A lot of cultural  progress has been undermined by zealous ignorance, and recapturing lost  momentum can be the work of generations. Fortunately, storytellers have a  shortcut at their disposal.</span></p>
<p><span style="color: #993300;"><strong>Extrapolation is the  wave of the future.</strong> While there’s value in reinterpreting,  revamping, and remixing old stories, the impact of those expires faster  after each pass through the cultural recycler. In fact, they’ve become  ironic; some old stories now fuel the social destruction they originally  opposed. People need something to look forward to. Extrapolation can  always deliver those goods.</span></p>
<p><span style="color: #993300;">Today’s storytellers have  another underused asset within easy reach; <strong>science</strong>.  Yes, science and arts are commonly taught and applied with as much  distance between them as possible. That’s not just proof of a failing  education system, it’s also a casual disregard of history. Da Vinci had  it right; creation and investigation belong together. It’s time to put  that concept back into practice.</span> <span style="color: #008000;">[emphases  added]</span></p></blockquote>
<p>So there you have it, yeah: extrapolating into the future by means of  science — or, as Science in My Fiction <a href="http://crossedgenres.com/simf/about/" target="_blank">succinctly  explains</a>:</p>
<blockquote><p><span style="color: #993300;">The purpose of the <strong>Science  in My Fiction</strong> blog is to get science fiction and fantasy  writers and fans thinking ahead of science again. Playful bloggers will  take a look at recent scientific developments and extrapolate potential  futures from them.</span></p></blockquote>
<p>Playful, yes! Check out that<a href="http://crossedgenres.com/simf/2010/02/28/extrapolative-fiction-for-sapient-earthlings/" target="_blank"> first blog post</a>: there’s already a bunch of humans — playful as  dolphins — riffing off Kay’s extrapolative speculations about dolphin  sapience.  Bounce <em>those</em> ideas around in your <a href="http://en.wikipedia.org/wiki/Melon_%28whale%29" target="_blank">melon</a>.  And  join in!</p>
<div>
<div class="wp-caption alignnone" style="width: 510px"><a href="http://commons.wikimedia.org/wiki/File:Dolphin_anatomy.png" target="_blank"><img title="Dolphin anatomy" src="http://www.henkimaa.com/images/fieldofwords/dolphin_anatomy.png" alt="Dolphin anatomy" width="500" height="292" /></a><p class="wp-caption-text">Anatomy of a dolphin. From Wikimedia Commons; used per GNU Free Documention License.</p></div>
</div>
<p>But that’s not all that’s got my storymind in high gear.  I spent  lunchtime today reading back over some of the 13,500 words I wrote last  November 28 in my headlong hurry to catch up with my NaNoWriMo 2009  writing, because it was in that day’s writing that the kernel of a story  idea emerged, which I’m planning to cause the further emergence of  tonight.  Further extrapolation, if you will, arising out of some of  the  what-ifs I already had going in the story universe of <a href="http://www.henkimaa.com/category/field-of-words/long-dark/" target="_blank"><em>Long  Dark</em></a>, which zinged into a whole buncha new what-ifs:</p>
<ul>
<li>Ships heading out of Sol System on their way between stars to  another solar system, where the events of <a href="http://www.henkimaa.com/category/field-of-words/cold/" target="_blank"><em>Cold</em></a> will eventually take place.  How will the residents of these ships keep  themselves from going stark raving nutters in their decades-long  journey through the Long Dark?</li>
<li>Well, obviously, some of them <em>will</em> go nutters.  Even in the  relatively peaceful society of the <a href="http://www.henkimaa.com/tag/consensus-cold/" target="_blank">Consensus</a>,  wherein each &amp; every person holds equivalent power in every decision  that affects her or his life, there will still be the occasional anger  or fear or delusion leading to craziness or crime. But what does one do  with a criminal — not just a criminal, but an actual murderer — in the  closed biosphere of a star-traveling tin can?  Just how does the  criminal justice system in my ideal little society operate?</li>
<li>And wow, we’ve got a murder victim here — a dead body!  What do we  do with it?  Do we put it out an airlock like so many SF stories do —  the outer space equivalent of “burial at sea”?  Or wait — we’re talking  about a <a href="http://www.henkimaa.com/2009/10/12/biospherics/" target="_blank">closed ecological  life support system (CELSS)</a> here — if you dump a body into outer  space, even a human body, you’re wasting valuable biological resources  that are not all that damn easy to replace when you’re trucking along at  one-tenth the speed of light far from the abundance of home.  You <em>need</em> that body. So… how do you bury it?  And recycle it? And deal with the  emotional &amp; spiritual repercussions of burying your dead in your own  — say it — your own spaceship’s <em>waste management system</em>?</li>
<li>And who is the murder victim?  Could it be — no, not possibly — but  yes, it is.  Jyoti, one of <em>Long Dark</em>’s central characters, she  who is the most beloved of Esti Gusev, another central character.  Wow.  Am I actually gonna <a href="http://fandomania.com/joss-whedons-16-most-painful-character-deaths/" target="_blank">pull  a Joss Whedon</a> &amp; kill off such an important character?  Not an  easy thing for a softie like me to do, but… yes.  I am.</li>
<li>But why?  What is the motivation of this creep who kills her?  Could  it have anything to do with <a href="http://en.wikipedia.org/wiki/Shiva" target="_blank">Lord Shiva</a>? In fact, yes.</li>
</ul>
<p>Diving in right now.  Working title: <a href="http://en.wikipedia.org/wiki/Asuras" target="_blank">Asura</a>.</p>
<div>
<div class="wp-caption alignnone" style="width: 510px"><a href="http://en.wikipedia.org/wiki/Shiva" target="_blank"><img title="Lord Shiva" src="http://www.henkimaa.com/images/fieldofwords/cold/lordshiva.jpg" alt="Lord Shiva" width="500" height="667" /></a><p class="wp-caption-text">Statue of Lord Shiva in Bangalore, India. Photo by Deepak Gupta. From Wikimedia Commons. Used per Creative Commons Attribution-Share Alike 2.0 Germany.</p></div>
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<p>Related posts:<ol><li><a href='http://www.henkimaa.com/2010/02/01/crossed-genres-anthology-released/' rel='bookmark' title='Crossed Genres anthology released — complete w/ my story &quot;Cold&quot;'>Crossed Genres anthology released — complete w/ my story &quot;Cold&quot;</a></li>
<li><a href='http://www.henkimaa.com/2009/10/03/now-i-really-feel-like-a-writer-again/' rel='bookmark' title='Now I REALLY feel like a writer again'>Now I REALLY feel like a writer again</a></li>
<li><a href='http://www.henkimaa.com/2007/09/28/nanowrimo-2007-what-im-gonna-write-how-im-gonna-write-it/' rel='bookmark' title='NaNoWriMo 2007: What I&#039;m gonna write &amp; how I&#039;m gonna write it (the origin of &quot;Cold&quot;)'>NaNoWriMo 2007: What I&#039;m gonna write &amp; how I&#039;m gonna write it (the origin of &quot;Cold&quot;)</a></li>
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		<title>Building Consensus</title>
		<link>http://www.henkimaa.com/2010/02/10/building-consensus/</link>
		<comments>http://www.henkimaa.com/2010/02/10/building-consensus/#comments</comments>
		<pubDate>Thu, 11 Feb 2010 00:20:17 +0000</pubDate>
		<dc:creator>Mel Green</dc:creator>
				<category><![CDATA[About writing]]></category>
		<category><![CDATA[Cold]]></category>
		<category><![CDATA[Battle of Washita River]]></category>
		<category><![CDATA[civility]]></category>
		<category><![CDATA[Cold notes]]></category>
		<category><![CDATA[collaborative decisionmaking]]></category>
		<category><![CDATA[collective intelligence]]></category>
		<category><![CDATA[consensus]]></category>
		<category><![CDATA[Consensus (Cold)]]></category>
		<category><![CDATA[Dena'ina]]></category>
		<category><![CDATA[good government bad government]]></category>
		<category><![CDATA[Harming none do as you will]]></category>
		<category><![CDATA[integrity]]></category>
		<category><![CDATA[Kim Stanley Robinson]]></category>
		<category><![CDATA[Margaret Turnbull]]></category>
		<category><![CDATA[Mars]]></category>
		<category><![CDATA[Mars Trilogy]]></category>
		<category><![CDATA[NaNoWriMo 2007]]></category>
		<category><![CDATA[Pavonis Mons]]></category>
		<category><![CDATA[Peter Kalifornsky]]></category>
		<category><![CDATA[science fiction]]></category>
		<category><![CDATA[selfhood]]></category>
		<category><![CDATA[sociocracy]]></category>
		<category><![CDATA[storymind]]></category>
		<category><![CDATA[terraforming]]></category>
		<category><![CDATA[Turnbull (Cold)]]></category>
		<category><![CDATA[Ursula K. Leguin]]></category>
		<category><![CDATA[Wikipedia]]></category>
		<category><![CDATA[worldbuilding]]></category>
		<category><![CDATA[writing]]></category>

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		<description><![CDATA[How editing Wikipedia &#038; a fictional Martian constitutional convention influenced the Consensus government in my novel(s)-to-be. Yep, &#038; consensus would be a better way to run our own world too, yep. <a href="http://www.henkimaa.com/2010/02/10/building-consensus/">Continue reading <span class="meta-nav">&#8594;</span></a><div><a class="addthis_button" href="//addthis.com/bookmark.php?v=250" addthis:url='http://www.henkimaa.com/2010/02/10/building-consensus/' addthis:title='Building Consensus '><img src="//cache.addthis.com/cachefly/static/btn/v2/lg-share-en.gif" width="125" height="16" alt="Bookmark and Share" style="border:0"/></a></div>


Related posts:<ol><li><a href='http://www.henkimaa.com/2010/02/06/good-for-my-worldbuilding-bad-for-my-world/' rel='bookmark' title='Good for my worldbuilding, bad for my world'>Good for my worldbuilding, bad for my world</a></li>
<li><a href='http://www.henkimaa.com/2010/02/16/writing-life/' rel='bookmark' title='Writing life'>Writing life</a></li>
<li><a href='http://www.henkimaa.com/2007/10/03/terraforming-notes/' rel='bookmark' title='Terraforming notes'>Terraforming notes</a></li>
</ol>]]></description>
			<content:encoded><![CDATA[<p><a title="Shadows on snow by yksin, on Flickr" href="http://www.flickr.com/photos/henkimaa/60792461/"><img src="http://farm1.static.flickr.com/27/60792461_1e51676ce8_o.jpg" alt="Shadows on snow" width="640" height="480" /></a></p>
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<h3><span style="color: #008000;"><strong><em>Cold</em> and <em>Long Dark</em></strong></span></h3>
<ul>
<li>Read the story <a href="http://crossedgenres.com/archives/012/cold-by-melissa-s-green/">&#8220;Cold&#8221;</a><br />
in <em>Crossed Genres</em> Issue #12</li>
<li style="text-align: left;">Read <a href="http://www.henkimaa.com/2010/01/15/shark-a-story-for-haiti/">&#8220;Shark&#8221;</a> right<br />
here at Henkimaa</li>
<li style="text-align: left;"><a href="http://www.henkimaa.com/category/field-of-words/cold/">More about <em>Cold</em></a></li>
<li style="text-align: left;"><a href="http://www.henkimaa.com/category/field-of-words/long-dark/">More about <em>Long Dark</em></a></li>
</ul>
</td>
</tr>
</tbody>
</table>
<p><em>Consensus </em>as the form of government in my fiction came about from a combination of personal experience with consensus used in a collaborative project (in this case, Wikipedia) &amp; the influence of another science fiction story, Kim Stanley Robinson&#8217;s Mars trilogy (<em>Red Mars</em>, <em>Green Mars</em>, <em>Blue Mars</em>).  I&#8217;m doing a lot of reading nowadays about consensus, collaborative decisionmaking, sociocracy, etc. as background research for my writing.  I&#8217;m also becoming convinced that those forms of decisionmaking are our best means of recreating our own society &amp; government into one that really is <em>of, by, &amp; for the people</em>.</p>
<p>But for now: just the story of how I decided on <em>Consensus</em> to begin with.</p>
<h2><span style="color: #008000;">Storymind</span></h2>
<p>When I first decided to write <em>Cold </em>for NaNoWriMo 2007, I didn&#8217;t know much at all about the government or society in which my characters lived.  I only knew that the story began with a question — <em>What does cold feel like?</em> — out of which emerged the story&#8217;s setting &amp; first characters: a planet in the late stages of terraformation, and two young women, one who had never lived outside the enclosed habitats of her space-born society, &amp; one who had.  These two characters, Bai &amp; Boleyn, are the center of the story of <em>Cold</em>; but of course there is a world in which they live, a society in which they live, more questions to be answered.  For instance, how did Boleyn come to have experience outside the closed biosphere?  Okay, her family was exiled for a time to a remote facility.  But why?  How?  Where?  And so on.  Well, that&#8217;s storymaking, to me: it&#8217;s about asking a question, &amp; trying out answers until you come up with one that you like, which will generate more questions, more what ifs.</p>
<p>I made the decision to do NaNoWriMo 2007 in about February of that year.  But I had to constrain myself from actually writing it until November, when NaNo actually began.  Didn&#8217;t stop me from thinking about it, though; &amp; so what I call <em>storymind </em>became engaged pretty continually.  For instance, I remember walking across the UAA campus one day on a work-related errand. It must&#8217;ve been February or March, still winter, so I stuck that day to what we at UAA informally call the &#8220;spine&#8221; — the enclosed walkways that make it possible to walk most of the way across campus without going outside.  And I thought, hmm, wouldn&#8217;t the closed habitats on my story&#8217;s planet be build in a modular style, with closed in walkways like the ones I&#8217;m walking in now to connect them?  Why, of course they would. Thus in my storymind I began to design the structure of the enclosed community that I later named Turnbull, which is essentially a collection of several enclosed habitats called <em>Commons </em>that are connected together with &#8220;tubes&#8221; aboveground &amp; tunnels belowground.</p>
<p>(Turnbull itself is named after Margaret Turnbull, one of the two astronomers who compiled the <a id="nazr" title="Catalog of Nearby Habitable Systems (HabCat)" href="http://www.nasa.gov/vision/universe/newworlds/HabStars.html">Catalog of Nearby Habitable Systems (HabCat)</a> to narrow down the search for extraterrestrial intelligence (SETI), obviously useful in the search for systems with potentially habitable extrasolar planets like the one my characters were terraforming. The other HabCat compiler was Jill Tarter, who was the inspiration for the main character in Carl Sagan&#8217;s novel <em>Contact</em>, played in the movie by Jodie Foster.)</p>
<h2><span style="color: #008000;">The battle of the Battle of Washita River<br />
</span></h2>
<p><em>Cold </em>wasn&#8217;t all I was thinking about over the course of 2007.  Life stuff, of course, including a trip to Seattle &amp; Spokane to visit family.  Also, I got heavily involved in active editing of Wikipedia.  This began more-or-less by accident when I discovered that the Wikipedia article about the Dena&#8217;ina elder &amp; writer <a href="http://en.wikipedia.org/wiki/Peter_Kalifornsky">Peter Kalifornsky</a> indicated he was alive.  Hold on, I thought, didn&#8217;t I recall him having died sometime within the past few years?  Yep, about four years previously — so next thing I knew I was researching him, correcting the article, &amp; doing even more research&#8230; on an article which even now I haven&#8217;t completed (!!!).  But I sure learned a lot along the way about Dena&#8217;ina language, culture, &amp; history (Anchorage is situated in Dena&#8217;ina country) — some of which entered storymind to influence some aspects of <em>Cold</em>.  But of course I also got pulled to other Wikipedia articles, &amp; pretty soon Wikipedia editing became a major focus that largely drew me away from my writing life (at least in terms of writing <em>my </em>stuff) until November, when NaNoWriMo helped me to break that fixation.  Nowadays, I do Wikipedia editing only here &amp; there.  (Though it would really be nice if I finished that Peter Kalifornsky article!)</p>
<p>But my Wikipedia experience went into storymind too.  Of particular relevance: I got caught up in huge dispute on a particular article (the <a href="http://en.wikipedia.org/wiki/Battle_of_washita_river">Battle of Washita River</a>, if you want to know) with a certain editor with strong anti-Indian bigotry who wanted to paint the Cheyenne people in general &amp; the Cheyenne chief Black Kettle in particular as unqualifiedly evil, &amp; George Armstrong Custer (this editor&#8217;s personal hero) as unqualifiedly good &amp; wonderful &amp; perfect.  Never mind historical facts; &amp; never mind Wikipedia policies of <a href="http://en.wikipedia.org/wiki/Wikipedia:NPOV">neutral point of view</a> (commonly abbreviated in Wikipedia background discussions as NPOV), &#8220;<a href="http://en.wikipedia.org/wiki/Wikipedia:NOR">no original research&#8221; (NOR)</a>, &amp; <a href="http://en.wikipedia.org/wiki/Wikipedia:VERIFY">verifiability</a> — policies that are intended to protect Wikipedia&#8217;s integrity as an encyclopedia by founding its articles on reliable sources, verifiable facts, &amp; neutral presentation of all sides of contentious issues instead of presenting only &#8220;one side of the story.&#8221;</p>
<div class="wp-caption alignnone" style="width: 510px"><a href="http://en.wikipedia.org/wiki/File:Seventh_Cavalry_Charging_Black_Kettle_s_Village_1868.jpg"><img title="Battle of Washita River" src="http://farm5.static.flickr.com/4046/4345536130_c01419f197.jpg" alt="Battle of Washita River" width="500" height="282" /></a><p class="wp-caption-text">Battle of Washita River as depicted in Harper&#39;s Weekly for December 19, 1868, three weeks after the event on November 27. Through Wikimedia Commons.</p></div>
<p>Dealing with this dispute was a big learning experience.  Given my lifetime of socialization in 20th &amp; 21st century U.S.A., my first reaction in dealing with a clearly biased &#8220;one side of the story&#8221; breaker of rules was to look for an authority figure to whom I could appeal to bring this editor into line: <em>Someone is breaking the law: where are the cops, the judges, can&#8217;t we ban this guy?</em></p>
<p>The closest thing you have to &#8220;authority figures&#8221; on Wikipedia are admins&#8230; but it doesn&#8217;t take long on Wikipedia to discover that an admin is not, in fact, a cop.  Wikipedia governs itself by processes of consensus: if you appeal to an admin about a dispute on an article, the admin isn&#8217;t going to automatically kick someone&#8217;s butt unless there are clearcut problems like edit-warring or personal attacks.  But if the disputes are over content &amp; bias, the admin is going to advise you to discuss the problem on the article&#8217;s discussion page, &amp; try to come to a <strong><a href="http://en.wikipedia.org/wiki/Wikipedia:CONS">consensus</a></strong>.  Yes, there we go: consensus, one of Wikipedia&#8217;s six core policies regarding personal conduct, which also include a demand for<a href="http://en.wikipedia.org/wiki/Wikipedia:Civility"> civility</a> and <a href="http://en.wikipedia.org/wiki/Wikipedia:No_personal_attacks">no personal attacks</a>, refraining from<a href="http://en.wikipedia.org/wiki/Wikipedia:Edit_warring"> edit warring</a>, welcoming <a href="http://en.wikipedia.org/wiki/Wikipedia:Editing_policy">everyone to edit</a> (assuming they abide by Wikipedia&#8217;s core policies, including the conduct policies), &amp; <a title="Wikipedia:Ownership of articles" href="http://en.wikipedia.org/wiki/Wikipedia:Ownership_of_articles">collaboration on, rather than individual &#8220;ownership&#8221; of, articles</a>.</p>
<p>Okay, but we&#8217;ve got a content dispute with a biased editor here, &amp; we&#8217;ve been told to take our dispute to the article&#8217;s talk page &amp; come to consensus.  But what if agreement can&#8217;t be reached there?  Then there are <a href="http://en.wikipedia.org/wiki/Wikipedia:CONS#Consensus-building">additional processes</a> used in Wikipedia through which disputes can be worked through, some of which might result in sanctions against problematic &#8220;I refuse to abide by Wikipedia&#8217;s policies&#8221; type editors (like the guy we were dealing with).  Our problem guy did get the occasional sanction for edit warring &amp; personal attacks (as did one of the folks supposedly on the &#8220;right side&#8221; of the content dispute, who has since gone on to a long career in getting banned for incivility &amp; edit warring under a variety of different <a href="http://en.wikipedia.org/wiki/Wikipedia:Sock_puppetry">sockpuppet</a> usernames), but it took us a long time to bring the content dispute into some kind of control, just a couple of months before NaNoWriMo 2007 took me out of the Wikipedia biz.</p>
<p>If you&#8217;re curious, check out the <a href="http://en.wikipedia.org/wiki/Talk:Battle_of_Washita_River">Talk page &amp; its archives for Battle of Washita River</a> to see all the crap I &amp; my fellow editors had to go through.  Especially see the <a href="http://en.wikipedia.org/wiki/Talk:Battle_of_Washita_River/Archive_3#Request_for_comment">RfC (Request for Coments) on the article itself</a> &amp; the related RfCs on our two problem editors.  (I&#8217;m the user Yksin.)  It took us two months to move from the article being locked down in a biased &amp; inaccurate form to be able to edit it again after the disputes had been more-or-less settled.  It took a long time, but we did it right.  If you think I&#8217;m being a naive idealist when I talk about the need to be civil in discussing Sarah Palin, then read through this stuff, &amp; try to convince me that civil, factual discussion doesn&#8217;t, in the end, win out over the kind of offal that our problem editors were continually unloading on us.  Patience helps.  I&#8217;m proud of the way I handled myself throughout.</p>
<p>Wikipedia was a great experiential education for me in at least some of the possibilities of consensus.  It was also instructive about how &#8220;knowledge&#8221; is constructed.  I grew to have a great deal of respect for Wikipedia as a source of information — as long as you know how it works &amp; how to evaluate the information there.  (I typically look not only at the articles themselves, but also their edit histories &amp; talk pages.  But I also never consider a Wikipedia page the last word on a topic.  I still sometimes log in &amp; correct typos or misstatements of fact, or to revert vandalism.)</p>
<p>If you&#8217;re interested in seeing how consensus operates in a huge collaborative project like this, you can do like I had to do: go into the behind-the-scenes of Wikipedia. See how editors &amp; admins &amp; bureaucrats (another level of Wikipedia adminship) talk with each other about articles &amp; the processes by which articles are written.  Look at article talk pages &amp; see how disputes over content are resolves.  Check out the process called <a href="http://en.wikipedia.org/wiki/Wikipedia:Requests_for_adminship">Request for Adminship, or RfA</a> by which admins become admins &amp; bureaucrats become bureaucrats — which is partially what <em>Cold</em>&#8216;s process of Examination is based upon.  There&#8217;s a lot there.   And it&#8217;s very geeky but also very cool.  I still think very highly of the numerous people who work really hard to make Wikipedia a good encyclopedia.</p>
<h2><span style="color: #008000;">A constitution on Mars</span></h2>
<div class="wp-caption alignright" style="width: 282px"><a href="http://photojournal.jpl.nasa.gov/catalog/PIA05243"><img title="Pavonis Mons" src="http://farm3.static.flickr.com/2771/4345492670_1cb1bfd230.jpg" alt="Pavonis Mons" width="272" height="500" /></a><p class="wp-caption-text">Mars Global Surveyor image of Pavonis Mons, a broad shield volcano (similar to the volcanoes of Hawaii) located on the martian equator at 113°W. The volcano summit is near 14 km (~8.7 mi) above the martian datum (0 elevation); the central caldera (crater near center of image) is about 45 km (~28 mi.) across and about 4.5 km (~2.8 mi.) deep. Pavonis Mons is the site of a settlement in Kim Stanley Robinson&#39;s novel Blue Mars where the Martian Constitution was written. Image credit: NASA/JPL/Malin Space Science Systems via JPL Photojournal. </p></div>
<p>At the same time in 2007 that I got caught up in Wikipedia editing, I was following my friend Chris&#8217; advice to read Kim Stanley Robinson&#8217;s Hugo &amp; Nebula-award winning Mars trilogy — <em>Red Mars</em>, <em>Green Mars</em>, &amp; <em>Blue Mars</em> — because of one of its overall themes, the terraformation of Mars.  But, <a href="http://www.henkimaa.com/2010/02/06/good-for-my-worldbuilding-bad-for-my-world/">as I wrote the other day</a>, I also discovered another them theme —</p>
<blockquote><p><span style="color: #008000;">the long &amp; arduous struggle of Robinson’s Martian colonists for freedom from the political &amp; economic domination of Earth. Freedom not only from Earth’s numerous governments — but especially from Earth’s corporations, which have become so powerful that they are in many ways more powerful than governments themselves, both on Earth &amp; on Mars.</span></p></blockquote>
<p>The <a href="http://en.wikipedia.org/wiki/Kim_Stanley_Robinson">Wikipedia article about Kim Stanley Robinson</a> observes,</p>
<blockquote><p><span style="color: #993300;">Robinson&#8217;s work often explores alternatives to modern capitalism. In the <em>Mars</em> trilogy, it is argued that capitalism is an outgrowth of feudalism, which could be replaced in the future by a more democratic economic system. Worker ownership and cooperatives<em> Green Mars</em> and <em>Blue Mars</em> as a replacement for traditional corporations&#8230;.<br />
</span></p>
<p><span style="color: #993300;">Robinson&#8217;s work often portrays characters struggling to preserve and enhance the world around them in an environment characterized by individualism and entrepreneurialism, often facing the political and economic authoritarianism of corporate power acting within this environment. Robinson has been described as anti-capitalist, and his work often portrays a form of frontier capitalism that promotes ideals that closely resemble anarcho-syndicalist and socialist systems, and faced with a capitalism that is staunched by entrenched hegemonic corporations. In particular, his Martian Constitution draws upon social democratic ideals explicitly emphasizing a community-participation element in political and economic life, while a persistent threat to social democracy is embodied by transnational corporations, the characteristics of which resemble those predicted by institutionalist and socialist economists such as Ted Wheelwright and Karl Marx.</span></p></blockquote>
<p>It should be no surprise to anyone, given my already <a href="http://www.henkimaa.com/2010/01/22/government-by-psychopathy/">vociferous criticism of contemporary corporatism</a> (not to mention the foolishness of granting corporations the legal fiction of &#8220;personhood&#8221;)  that I like this about Kim Stanley Robinson.  A lot.</p>
<p>Wikipedia goes on to say,</p>
<blockquote><p><span style="color: #993300;">The environmental, economic, and social themes in Robinson&#8217;s oeuvre stand in marked contrast to the right-wing Libertarian streak prevalent in much of science fiction&#8230;  and his work has been called the most successful attempt to reach a mass audience with a left-wing libertarian and anti-capitalist utopian vision since Ursula K. Le Guin&#8217;s 1974 novel, <em>The Dispossessed</em>.</span></p></blockquote>
<p><a href="http://en.wikipedia.org/wiki/Ursula_K._Le_Guin">Ursula K</a>!!!  What greater recommend could there be for Kim Stanley Robinson than that?  And <a href="http://en.wikipedia.org/wiki/The_Dispossessed"><em>The Disposessed</em></a> is a great novel — thanks, Wiki editors, for the reminder to read it again. If all I am at the moment is a barely-published writer of only a couple of things here &amp; there, still, let it be known — I aspire to stand in their tradition.</p>
<p>(Though I hesitate to call either of their visions as <em>utopian</em>.  I think societies such as they&#8217;ve invented are possible &amp; desirable.  But it&#8217;ll take us to make them.)</p>
<p>By the beginning of the last book of Robinson&#8217;s trilogy, <em>Blue Mars</em>, the Martian colonists have finally succeeded in kicking the corporations off-planet (by means of the trilogy&#8217;s <a href="http://kimstanleyrobinson.info/w/index.php5?title=Second_Martian_Revolution">Second Martian Revolution</a> in the year 2127); but in order to maintain their independence from Earth governments &amp; Earth-based corporations, they decide they need to adopt their own constitution &amp; government.  Thus, a <a href="http://kimstanleyrobinson.info/w/index.php5?title=Pavonis_Mons_Congress">congress</a> is convened in a settlement at Pavonis Mons — one of Mars&#8217; great volcanoes — where the new <a href="http://kimstanleyrobinson.info/w/index.php5?title=Martian_constitution">Martian Constitution</a> is drafted, later to be ratifiied by 78% of Martians who voted (the novel says that 95% of eligible voters voted).  (Tip o&#8217; the nib to <a href="http://kimstanleyrobinson.info/w/index.php5?title=Main_Page">MangalaWiki</a>, a wiki-based encyclopedia on the Robinson&#8217;s works, which helped me keep my facts on track.)</p>
<p>Here&#8217;s where Robinson &amp; Wikipedia collided in my storymind: the people who did the actual drafting of the constitution at Pavonis Mons worked collaboratively — &amp;, of course, using computers. —</p>
<blockquote><p><span style="color: #993300;">&#8220;At least the points are there to discuss,&#8221; Nadia said.  And along with them, on everyone&#8217;s screen, were the blank constitutions with their sections headings, suggesting all by themselves the many problems they were going to have to come to grips with: &#8220;Structure of Government, Executive; Structure of Government, Legislative; Structure of Government, Judicial; Rights of Citizens; Military and Police&#8230; [and so on].</span> <span style="color: #008000;">(my paperback copy of <em>Blue Mars</em>, p. 125)</span></p></blockquote>
<p>Later, after they complete their work, they attach all the numerous written documents &amp; discussions that had been generated during the process for reference by courts, historians, &amp; other interpreters who wanted a better understanding of the framers&#8217; intent.  (Much as Alaskans can refer to the <a href="http://www.law.state.ak.us/doclibrary/cc_minutes.html">minutes of the Alaska Constitutional Convention</a> in order to better understand the <a href="http://ltgov.state.ak.us/services/constitution.php">Alaska Constitution</a> &amp; its framers&#8217; intent.)</p>
<p>And I thought, what if they actually used <a href="http://en.wikipedia.org/wiki/Wiki">wiki-type software</a>, similar to what Wikipedia itself uses,  to draft their constitution?  That way, there would always be a running record of the proceedings (at least, any that were in written form) — edit histories, talk pages to discuss differences &amp; disagreements about difference, &amp; to develop agreement &amp; consensus — the full gamut.</p>
<p>I&#8217;m not sure exactly the moment this stuff germinated to such an extent that it fledged itself fully into my story&#8217;s Consensus government — but I had it by November 1, 2007, when I did my first day&#8217;s writing on <em>Cold</em> — the same writing that became, with not as many revisions as you&#8217;d think, the short story <a href="http://crossedgenres.com/archives/012/cold-by-melissa-s-green/">&#8220;Cold&#8221;</a> published in <em>Crossed Genres</em> Issue #12 exactly two years later.</p>
<p>But come to think of it — there was also a third influence in the mix, which I&#8217;ll call —</p>
<h2><span style="color: #008000;">Influence of the Self</span></h2>
<p>— the Self in this case being <em>myself</em> &amp; my beliefs, especially the content of my beliefs with regard to selfhood.</p>
<p>Best expressed by some of my writing about halfway into NaNoWriMo 2007, when I was reading Robinson&#8217;s <em>The Martians</em>, which collects a lot of stories &amp; sketches related to his trilogy &amp; its characters.  Among them were some pieces about the Constitution of Mars, with commentary from one of Robinson&#8217;s fictional constitutional framers. These pieces led me to additional thinking about Consensus in my story.  On November 19, 2007, I wrote in part,</p>
<blockquote><p><span style="color: #008000;">Two chief principles exist in dialectic, as can be encapsulated in the statement held to by one of the spiritual movements within Consensus: <em>Harming none, do as you will</em>.  I think what I&#8217;m getting to is some of my own deepseated beliefs, which that statement plays a large part in.  Basically, whether at the individual level or the community and government level, the  <strong>principle of sovereignty over one&#8217;s own actions</strong> (&#8220;do as you will&#8221;, self-government) is always balanced against the the <strong>principle of nonharm</strong>: the recognition and respecting of the rights and autonomy of others.   Consensus has as one of its fundamental principles, which is legal, moral, and spiritual all at once, that the integrity of the Self is paramount, whether that Self be an individual or a body of individuals joined together into a family, a community, or a large body of society.  Violation of such integrity or wholeness through the causing of harm is conceived of, legally, as crime; morally and spiritually, it may be considered sin.  The principle is established in the very name of this type of government: Consensus, indicating the consent of those who make it up.  Government, rather than being something imposed, often coercively, upon the people by a hierarchy above them, is made up of all of the people in a very direct way.<br />
</span></p></blockquote>
<p>Later that same day —</p>
<blockquote><p><span style="color: #008000;">There is no such thing, in Consensus philosophy and culture, as a government separate from the people.  Everything begins with the Self, the first Self that is each individual human being.  Inasmuch as humans as biological beings are also social beings, Self is also expressed in the yearning for Other, which finds a home in relationship, each relationship or group of relationships themselves forming their own Selves: friendship, sexual pairing and partnership, family, community, Consensus.  Because all levels of society begin with that fundamental Self of each individual, therefore the Self is sacrosanct; its autonomy is the first building block of society.  To violate the Selfhood of an individual is like the breaking open an atom: it&#8217;s the beginning of destruction.  The Self, of course, is much more fragile than the atom: it took until the 20th century C.E. for humans to learn how to split the atom; but it didn&#8217;t take us long at all to come up with all manner of ways to cleave the human soul, and the chain reaction from that has never ended.  Only some have learned to restore it, only some have learned ways of living with one another in such ways that the violation of soul and Self isn&#8217;t inextricably a part of human education, of human &#8220;conditioning.&#8221;  Even the most intelligent and soul-preserving societies make mistakes.</span></p>
<p><span style="color: #008000;"><strong>Consensus begins by recognizing those two aspects of what it is to be human: Self, and Other, in which each Other is also a Self.</strong> Society, culture, government is nothing more and nothing less than the provisional solution humans have come to in any given time and place to balance between Self and Other; or shall we say, the multiplicity of Selves, each with its own sacrosanct Integrity.  Thus, the laws of Consensus begin with the laws intended to protect the Self at its most basic level, that of the individual.  Everything else flows upward from that.</span></p></blockquote>
<p>And now here I am reading more about consensus &amp; related ideas — <a href="http://en.wikipedia.org/wiki/Collaborative">collaborative decisionmaking</a>, <a href="http://en.wikipedia.org/wiki/Collective_intelligence">collective intelligence</a>, <a href="http://en.wikipedia.org/wiki/Sociocracy">sociocracy </a>— all of which reflect the ethic that I was writing about: the idea that every individual has value, &amp; that the integrity &amp; selfhood of every individual must be protected.</p>
<p>But the books I&#8217;m reading are taking me even one step beyond that: recognition that <strong>each &amp; every individual, without exception, must have a say in any decision that affects her or his life</strong>. Government not through the coercion of the powerful over the less-powerful, but government by the consent of all.</p>
<p>Not only are these books helping me to articulate this, but they&#8217;re also teaching me the techniques &amp; strategies that can make it possible.  Both in my stories, &amp; in the Real World of which we all are part.</p>
<p>Needless to say, I&#8217;ll be writing more about this.</p>
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<p>Related posts:<ol><li><a href='http://www.henkimaa.com/2010/02/06/good-for-my-worldbuilding-bad-for-my-world/' rel='bookmark' title='Good for my worldbuilding, bad for my world'>Good for my worldbuilding, bad for my world</a></li>
<li><a href='http://www.henkimaa.com/2010/02/16/writing-life/' rel='bookmark' title='Writing life'>Writing life</a></li>
<li><a href='http://www.henkimaa.com/2007/10/03/terraforming-notes/' rel='bookmark' title='Terraforming notes'>Terraforming notes</a></li>
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		<title>Good for my worldbuilding, bad for my world</title>
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		<pubDate>Sat, 06 Feb 2010 09:08:30 +0000</pubDate>
		<dc:creator>Mel Green</dc:creator>
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		<description><![CDATA[One tool for inventing an imaginary story universe in science fiction is extrapolating from the present into the future. Granting corporations lots of extra power as the Supreme Court did recently is very good for my worldbuilding. But is very bad for the world I actually live in. <a href="http://www.henkimaa.com/2010/02/06/good-for-my-worldbuilding-bad-for-my-world/">Continue reading <span class="meta-nav">&#8594;</span></a><div><a class="addthis_button" href="//addthis.com/bookmark.php?v=250" addthis:url='http://www.henkimaa.com/2010/02/06/good-for-my-worldbuilding-bad-for-my-world/' addthis:title='Good for my worldbuilding, bad for my world '><img src="//cache.addthis.com/cachefly/static/btn/v2/lg-share-en.gif" width="125" height="16" alt="Bookmark and Share" style="border:0"/></a></div>


Related posts:<ol><li><a href='http://www.henkimaa.com/2010/02/10/building-consensus/' rel='bookmark' title='Building Consensus'>Building Consensus</a></li>
<li><a href='http://www.henkimaa.com/2010/01/22/toward-a-28th-amendment-corporations-are-not-human-persons/' rel='bookmark' title='Toward a 28th Amendment: Corporations are not human persons'>Toward a 28th Amendment: Corporations are not human persons</a></li>
<li><a href='http://www.henkimaa.com/2007/10/03/terraforming-notes/' rel='bookmark' title='Terraforming notes'>Terraforming notes</a></li>
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			<content:encoded><![CDATA[<div class="wp-caption alignnone" style="width: 510px"><a href="http://photojournal.jpl.nasa.gov/catalog/pia04304"><img title="Mars" src="http://farm3.static.flickr.com/2691/4304198747_7b4fe48a26.jpg" alt="Mars" width="500" height="474" /></a><p class="wp-caption-text">Mars mosaic from a compilation of images captured by Viking Orbiter 1. At center is the entire Valles Marineris canyon system, over 3,000 km long and up to 8 km deep. To the left are a volcanoes of the Tharsis bulge — Ascraeus Mons to the north, Pavonis Mons in the middle, &amp; Arsia Mons in the shadow. Photo credit: NASA/USGS (via JPL Photojournal)</p></div>
<p><a href="http://en.wikipedia.org/wiki/Worldbuilding">Worldbuilding</a>, Wikipedia helpfully tells us, is</p>
<blockquote><p><span style="color: #993300;">the process of constructing an imaginary world, sometimes associated with a fictional universe.</span></p></blockquote>
<p>The Wikipedia article focuses on the creation of worlds &amp; the cultures that live in them by writers of science fiction &amp; fantasy — for instance, Tolkien&#8217;s Middle-Earth in <em>The Hobbit</em> and <em>The Lord of The Rings</em> trilogy, or the planet Cyteen in C.J. Cherryh&#8217;s novels <em>Cyteen</em> and <em>Regenesis</em>, to name but a couple of my favorite imaginary worlds.</p>
<p>But to my mind, <em>worldbuilding</em> isn&#8217;t restricted only to completely <em>imagined</em> worlds &amp; people — really, any writer of fiction engages in worldbuilding, even when writing the most mainstream fiction that takes place in a world looking &#8220;just like&#8221; the world you &amp; I live in, because <em>any</em> fiction involves presenting the particular world(s) &amp; worldview(s) of the characters that inhabit it.</p>
<p>As if you &amp; I actually lived in the same world.  Because isn&#8217;t your worldview, no matter who you are,  so much different than mine?  Yet there are some things we can agree on, at least most of us can — if only that rocks are hard to the touch, &amp; water is wet.  <a href="http://en.wikipedia.org/wiki/Consensus_reality">Consensual reality</a>, it&#8217;s called.  And that&#8217;s the point, at least in these coupla paragraphs of this blog post: there are some things a writer can generally assume her audience is familiar with, so that she doesn&#8217;t have to explain them; but other things that exist outside your normal frame of reference &#8212; that she has invented &#8212; yeah, of course she&#8217;ll need to explain.  (Or show. As that familiar writer&#8217;s proverb goes, <em>show don&#8217;t tell</em> — though, as with all rules, there are exceptions.)  Mainstream fiction, so-called, differs from science fiction &amp; fantasy mainly in how closely it adheres to consensual reality, how much worldbuilding it has to do.</p>
<p>I could go on a lot longer about my thoughts about the different types of worldbuilding in different types of fiction (or, arguably, nonfiction), but then I&#8217;d never get to the point of this post — which is <em>my</em> worldbuilding, &amp; how the recent decision by the U.S. Supreme Court decision in<em> Citizens United v. FEC</em> — along with everything else in U.S. &amp; international law &amp; custom that grants undue influence in how our governments &amp; economies &amp; lives are run to the fake persons known as <em>corporations</em> —  is really really really good for my worldbuilding.</p>
<p>But really really really sucko for the world I actually live in.</p>
<h2><span style="color: #008000;">Good for my worldbuilding</span></h2>
<div class="wp-caption alignright" style="width: 270px"><a href="http://commons.wikimedia.org/wiki/File:MarsTransitionV.jpg"><img title="Mars in process of terraformation" src="http://farm3.static.flickr.com/2757/4325887964_cc81951146_b.jpg" alt="Artist's conception of Mars in process of terraformation from Wikimedia Commons. " width="260" height="1024" /></a><p class="wp-caption-text">Artist&#39;s conception of Mars in process of terraformation from Wikimedia Commons. Used in accordance with GNU Free Documentation License, Version 1.2.</p></div>
<p>In early 2007 I decided that to jumpstart my writing after &#8220;life,&#8221; as usual, had decided to interfere with it, I was going to do National Novel Writing Month that November.  The good people of NaNoWriMo itself suggest that it&#8217;s best not to do NaNoWriMo with a project one already has underway — which in my case would have been <em>Mistress of Woodland</em> — so I pulled an <a href="http://www.henkimaa.com/2007/09/28/nanowrimo-2007-what-im-gonna-write-how-im-gonna-write-it/">idea</a> off the backburner of my mind &amp; decided to work on a new project,  <em>Cold</em>, which <a href="http://www.henkimaa.com/2007/10/01/about-cold/">would be about</a> two young women on a planet in the late stages of <a href="http://en.wikipedia.org/wiki/Terraforming">terraformation</a>.</p>
<p>I told my friend Chris about it, &amp; he told me I should read Kim Stanley Robinson&#8217;s <a href="http://en.wikipedia.org/wiki/Mars_trilogy">Mars trilogy</a> — <em>Red Mars</em>, <em>Green Mars</em>, <em>Blue Mars</em>.  My brother Dave had previously recommended those books to me too.  So, over the late winter &amp; spring of 2007, I read them.</p>
<p>Good call, guys.</p>
<p>If I were to summarize the story of Robinson&#8217;s trilogy in one sentence, I&#8217;d say, <em>It&#8217;s a science fiction story about terraforming Mars</em>.  Hence <em>Red Mars</em> — what the colonizers of the planet find when they get there; <em>Green Mars</em> — how it becomes green with growing plants; <em>Blue Mars</em> — how it becomes a second blue marble in the sky, like our own Earth, rich with liquid water on its surface &amp; in its atmosphere.</p>
<p>But really, that&#8217;s only one theme of the trilogy.  There&#8217;s also an ecological theme: is it right &amp; ethical for us, humans from planet Earth, to remake another planet — even a presumably &#8220;dead&#8221; planet like Mars — into a second Earth?  And meanwhile, what&#8217;s happening environmentally on the <em>real</em> Earth? — climate change, global warming, melting of Antarctica, rising seas, continuing overpopulation &amp; pollution&#8230; in short, planetwrecking, at least in terms of keeping it habitable for human beings &amp; numerous of our fellow species.</p>
<p>There&#8217;s also a third dominant theme: the long &amp; arduous struggle of Robinson&#8217;s Martian colonists for freedom from the political &amp; economic domination of Earth. Freedom not only from Earth&#8217;s numerous governments — but especially from Earth&#8217;s corporations, which have become so powerful that they are in many ways more powerful than governments themselves, both on Earth &amp; on Mars.</p>
<p>Sound familiar?</p>
<p>Robinson isn&#8217;t, of course, the first SF writer to extrapolate from the scary situation we&#8217;re already in today vis-à-vis corporate power into some even scarier futures, with megacorporations having for all intents &amp; purposes replaced any semblance of government of, by, &amp; for the people.  (Unless, of course, you persist in perversely insisting that corporations are <em>people</em>, like the U.S. Supreme Court does.)  The science fiction subgenre called <em><a href="http://en.wikipedia.org/wiki/Cyberpunk">cyberpunk</a></em> comes particularly to mind.</p>
<p>My imagined science fiction future is already extrapolated from the present, &amp; the power corporations have is part of that.  During NaNoWriMo 2007, for <em>Cold</em>, I started inventing a government called, simply, Consensus, which really <em>is</em> a government of, by, &amp; for the people, but it was during NaNoWriMo 2009, for <em>Long Dark</em>, that I discovered how Consensus came into existence.  I was writing stuff in the same story universe as <em>Cold</em>, but about three centuries earlier in the timeline; there, it became more apparent that the Consensus government came out of particular (invented) historical circumstances: namely, a rebellion by people living &amp; working in the Asteroid Belt &amp; outer solar system against the tyranny &amp; exploitation of corporations, which, as usual, cared more about the corporate bottom line than about the welfare of their workers &amp; their workers&#8217; families.</p>
<p>So you see, that&#8217;s what&#8217;s so great about the <em>Citizens United</em> decision, &amp; other corporate-power related phenomena. Here&#8217;s another word for you: <a href="http://en.wikipedia.org/wiki/Verisimilitude_%28literature%29"><em>verisimilitude</em></a>:  the appearance of being true or real. The more our public officials hand over the reins of government to corporations, the more plausible the story world I&#8217;ve built becomes.  Wow, thank you Supreme Court!</p>
<p>Except, uh&#8230; like I said.  This shit is —</p>
<h2><span style="color: #008000;">Bad for my world</span></h2>
<p>No, corporations aren&#8217;t the only things — er, I mean &#8220;people&#8221; — whose greed, thoughtlessness, short-sightedness, stupidity, self-aggrandizement, etc. etc., are bad for the world.  They&#8217;re just on the current cutting edge of it.  And the more we, or public officials supposedly acting in our name, hand political power to them, the more deeply cutting their edge is.  The <em>Citizens United</em> ruling is just another step in that direction.</p>
<p>And nice as verisimilitude in fiction is, what would be even nicer would be to live in a world in which, for instance, we could trust that our elected officials were really responsible to us, instead of to corporations whose paid propaganda (so called &#8220;free speech&#8221;) put them in office.</p>
<p>In May 2007, when I was an active Wikipedia editor, I spent lots of time researching the career of <a href="http://en.wikipedia.org/wiki/Tom_Anderson_%28politician%29">Tom Anderson</a> — in fact, I wrote most of  the article about him in Wikipedia. Alaskans will recognize Tom Anderson as the first of our former legislators to be tried and convicted in the federal probe into political corruption in Alaska.  I wrote the article in my typically geeky, super-detail-oriented style, with lots &amp; lots of cites&#8230; &amp; it took a lot of energy &amp; effort.  It&#8217;s certainly a lot more detailed article than you&#8217;re typically going to find in Wikipedia on a two-term state legislator, corrupt or not.</p>
<p>But for me it was well worth it, because compiling that biography, based solely on the written record (mostly articles from the <em>Anchorage Daily News</em> and the <em>Juneau Empire</em>) really brought home the lesson:<strong> whenever you bring corporate money into contact with public elections &amp; officials, there are inherent conflicts of interest for those public officials which will erode their ability to serve the people who elect them.</strong> Sometimes, a public official will be so bollixed up by the conflict that they won&#8217;t even recognize it.  Tom Anderson&#8217;s case is particularly illustrative.</p>
<p>For example, consider this instance from Anderson&#8217;s career, involving his relationship to Northeast Community Council, the council for the same part of Anchorage that Anderson himself was elected to represent in the Alaska House of Representatives.  (Note that I&#8217;ve removed the citations contained in the article for ease of reading; <a href="http://en.wikipedia.org/wiki/Tom_Anderson_%28politician%29">see the article</a> for citations.) —</p>
<blockquote><p><span style="color: #008000;">Anderson played a significant role over two years from 2002 to 2004 in changing the composition of Anchorage&#8217;s Northeast Community Council to reflect more conservative political and economic views. Anderson encouraged friends and allies, including pastors and members of the locally influential Anchorage Baptist Temple, to pack the town meeting-style community council elections. By May 2004, six of the nine community council board members, including its president, were friends and political allies of Anderson. While Anchorage&#8217;s community councils have no real authority, they are influential with the Anchorage Assembly because, according to Dick Traini, then chair of the Anchorage Assembly, &#8220;they are the active people in the community that choose to be involved.&#8221; Community council involvement has been a first step in the political careers of several Alaska politicians.</span></p>
<p><span style="color: #008000;">In July 2004, Anderson was criticized in an <em>Anchorage Daily News</em> editorial for signing a $10,000 contract in 2003 with the Alaska oilfield services company VECO Corporation to consult &#8220;on local government and community council affairs.&#8221; Anderson had earlier told the <em>Anchorage Daily News</em> that he&#8217;d been approached by VECO after the end of the 2003 legislative session because it was aware he&#8217;d done similar consulting work before he became a legislator. He told the newspaper that most of his work for VECO was in seeking out civic and charitable events for the company to get involved in, and that he also monitored Anchorage&#8217;s community councils to see if there were zoning cases or other issues under discussion that might affect VECO. The newspaper noted that Anderson had received about $4,000 in campaign contributions from VECO employees or their spouses in the 2002 election that won him his first term in the Alaska House. By July 2004 he had received at least $3,500 in VECO-related contributions for his 2004 reelection bid. </span></p>
<p><span style="color: #008000;">Members of the community council later recalled Anderson attending all their meetings during 2003, and assumed he was attending as their representative in the state legislature. They did not learn he was there as a consultant for VECO until 2004, when his state financial disclosure form was filed with the Alaska Public Offices Commission, as required by law.</span></p>
<p><span style="color: #008000;">By the April 2006 election for Northeast Community Council, the effects of the 2004 takeover had been partially reversed, leaving the council nearly half and half liberal and conservative.</span></p></blockquote>
<p>Indeed, who was Anderson representing when he attended community council meetings — his constituents in the Muldoon area of Anchorage (including my brother&#8217;s family)? or VECO, which was not only lining his pockets as a supposed &#8220;political consultant,&#8221; but also helped fund his election in the first place?  (Some folks might also have interest in the connection between Anderson &amp; Jerry Prevo&#8217;s megachurch the Anchorage Baptist Temple.)</p>
<p>Here&#8217;s another instance, from a couple years later —</p>
<blockquote><p><span style="color: #008000;">In July [2006] Anderson was hired by the Anchorage Home Builders Association for $2,500 per month. The following month he testified before the Anchorage Assembly in favor of two stores that Wal-Mart wanted to build in his legislative district. The Northeast Community Council opposed the stores. At the Assembly meeting, Assembly chair Dan Sullivan introduced Anderson as &#8220;Representative Anderson,&#8221; but Anderson corrected him, stating that he was at the meeting in representation of the home builders association, which favored the Wal-Mart stores.</span></p></blockquote>
<p>Again, who was Anderson representing?  His legislative constituency?  Or the home builders association &amp; Wal-Mart?  Obviously, he believed all that was necessary to keep himself in the clear, ethically, was to take off his &#8220;Representative&#8221; hat &amp; put on his &#8220;paid consultant&#8221; hat, &amp; magically the two roles would be kept completely separate.  Right.  Based upon the law as written, Anderson was not acting illegally.  But the presence of conflict of interest is obvious — however oblivious he himself was to it.</p>
<p>Anderson was ultimately convicted of seven counts involving extortion, bribery, conspiracy, and money laundering after taking $26,000 worth of bribes funneled by Anchorage lobbyist Bill Bobrick through a sham corporation that Anderson was supposedly &#8220;consulting&#8221; for.  The scheme was supposed to be for the benefit of a private prison company, Cornell, which was reportedly unaware of any of this; one of its employees, Frank Prewitt, was funneling the money as a confidential informant for the FBI.</p>
<p>I ran out of steam to write more detailed coverage on Anderson&#8217;s trial &amp; its aftermath, but I remember quite well that his obliviousness to his ethical lapses extended into his public statements about his conviction.  He still (or so he claimed) believed he&#8217;d done nothing wrong.  Other former lawmakers convicted out of the same federal corruption investigation seemed similarly oblivious.  Vic Kohring, Ted Stevens (who in my opinion is guilty even if his conviction was set aside because of prosecutorial misconduct) — all of them claim <em>I did nothing wrong</em> — even Pete Kott still claims this in spite of being <span style="text-decoration: underline;">caught on camera</span> taking a bribe.  <em>I did nothing wrong</em>.  They take it as a given that it&#8217;s okay to take money, gifts, not to mention campaign donations, which will now be supplemented by unlimited campaign advertising from corporations so long as the corporations like them.</p>
<p>A lot of members of the public take all this as a given too.  A lot of the public is going right along with the <em>Citizens United</em> decision, stating it as a great victory for &#8220;free speech.&#8221;  Uh, s&#8217;cuse me &#8212; don&#8217;t you mean paid-for-with-megabucks speech?</p>
<p>Why do they take it as a given?  Name your own theory, but here&#8217;s mine:</p>
<p>Most of us have become desensitized.  We&#8217;ve grown so accustomed to the power of corporate money in every aspect of our lives that we take it for granted.  It&#8217;s the famous <a href="http://en.wikipedia.org/wiki/Boiling_frog">&#8220;boiling frog&#8221;</a> thing all over again.  Over the span of many years — more than a century, now — as our lawmakers &amp; law interpreters (the courts) progressively hand more &amp; more power over to corporations —</p>
<ul>
<li>corporate &#8220;personhood&#8221;</li>
<li>privatization of government functions — e.g., prison privatization, use of  corporate private armies (mercenaries) like Xe (formerly Blackwater), etc.</li>
<li>deregulation</li>
<li>granting corporations &#8220;ownership&#8221; over segments of nature, like water, genes, microorganisms, etc.</li>
<li>unlimited corporate &#8220;free speech&#8221;</li>
<li>etc.</li>
</ul>
<p>— we&#8217;re gradually, just like that frog, having the heat on us slowly turned up higher &amp; higher &amp; higher.</p>
<p>Okay, so the <em>Citizens United</em> case was a bit more widely noticed.  See how many people are looking around and asking, <em>Whoa&#8230; how&#8217;d we get <span style="text-decoration: underline;">here</span>? This is <span style="text-decoration: underline;">fucked up</span>.</em></p>
<p>Most of us do know that something is wrong, but we can&#8217;t seem to agree what the problems are, &amp; therefore their solutions.  And thanks to the power our government has handed over to corporations, they are free to use their &#8220;free speech&#8221; (that is, their money) to influence &amp; distort our perceptions about what the problem is.  So we continue to point our fingers at the wrong causes,  propose the wrong solutions, fight about it all — &amp; the heat keeps turning up, &amp; corporations continue to enrich themselves at our expense, &amp; accountable honest government slips ever further out of our hands.</p>
<p><strong>Big Government (the kind the Tea Party folks don&#8217;t like) &amp; Big Corporations are just two different faces of the same phenomenon: the fading away of democracy.  The replacement of <em>government of, by, and for the people</em> with government of, by, and for the powerful few in order to control &amp; exploit all the rest of us.</strong></p>
<p><em>You </em>know what I&#8217;m saying — <a href="http://www.henkimaa.com/2010/01/22/government-by-psychopathy/">that psychopathy thing I talked about a couple of weeks ago</a> with reference to corporations.   But y&#8217;know, psychopathic Big Government like, say Nazi Germany or the Soviet Union under Stalin, or a theocracy like those which Christianists are aiming for — in which anyone who doesn&#8217;t agree to toe the line of whatever arbitrary set of rules established by whatever arbitrary set of preachers or priests who claim to hold the blueprints of the heavens of some arbitrary bully-god — none of that crap is exactly desirable either.</p>
<p>What <span style="text-decoration: underline;">is</span> desirable?  Real democracy, of course.  Real government<em> of, by, and for the people<em>.</em></em> Government in which <em>every</em> stakeholder has a say and <em>every</em> stakeholder&#8217;s rights are protected and honored. <em>Every stakeholder</em> means every single person (<em>real</em> persons, that is, not fake &#8220;corporate persons&#8221;) who has any stake at all in how we operate our society.  Which is to say: every. single. one. of. us.</p>
<p>That&#8217;s not how the U.S. government was set to operate, unfortunately.  Our Founding Fathers did their best according to their own lights, I suppose, but they left a lot of stakeholders out of the loop.  Women.  Slaves.  Children.  Etc. Some of these oversights have been partially corrected through constitutional amendments, but the fact remains that <em>real</em> franchise — real ability to have a say in how society operates, &amp; to have one&#8217;s own rights to <em>life, liberty, &amp; the pursuit of happiness</em> — is still heavily restricted according to various kinds of status.  Most of us still live under other people&#8217;s thumbs in one way or another.  Some people win.  Some people lose: their jobs, their homes, their families, their lives.</p>
<p>It&#8217;s just the way of the world, you say.  But why?  Is there another choice?</p>
<h2><span style="color: #008000;">So here we are, back to worldbuilding</span></h2>
<p>How can a society that is based on &#8220;some people win, and so does everybody else&#8221; be built?</p>
<p>That&#8217;s in essence what I&#8217;m trying to do in inventing the government of which my characters are part in <em>Long Dark</em> &amp; <em>Cold</em>, which I named, simply, <em>Consensus</em>.</p>
<p>Notice that I said <em>the government of which my characters are part</em>.  Not, <em>by which my characters are governed</em>.  Because in <em>this</em> government, being a <em>part</em> of the government &amp; being <em>governed</em> by it are one &amp; the same thing.  Nobody is <em>not</em> a member of the government.  It truly is <em>of, by, for</em> the people.</p>
<p>Whoa, now, but wait a minute.  Isn&#8217;t that pretty damn unrealistic?  What about, y&#8217;know, that big word I used earlier?  <em>Verisimilitude</em>.</p>
<p>Well, that&#8217;s the thing.  I think it <em>is</em> realistic.  Not only that, but just as the corporate exploitation against which my characters&#8217; ancestors rebel can be easily extrapolated from the stuff we&#8217;re already living with in the world we live in here &amp; now, so can I extrapolate my society&#8217;s Consensus government from forms of governance that already exist &amp; are used successfully in the world we live in here &amp; now.  There are places, there are people, who are doing it now.</p>
<p>So nowadays I&#8217;m reading a lot about <a href="http://en.wikipedia.org/wiki/Consensus">consensus</a>, <a href="http://en.wikipedia.org/wiki/Sociocracy">sociocracy</a>, <a href="http://en.wikipedia.org/wiki/Collective_intelligence">collective intelligence</a>, &amp; related ideas, on top of all the thinking &amp; writing about this stuff I did on the fly during NaNoWriMo 2007 &amp; 2009.  I&#8217;ll be writing more about this in other blog posts.</p>
<p>Meanwhile, may these ideas be the foundation of more worldbuilding in the here &amp; now of 2010 planet Earth. I see little hope for the old tried &amp; untrue methods of adversarial &amp; often antagonistic systems of governance that we&#8217;re more accustomed to.  Health care reform debate, anyone?</p>
<p>How very pretty &amp; hopeful our world looks out of the hostility &amp; namecalling between political rivals these days.  Not.</p>
<div><a class="addthis_button" href="http://www.henkimaa.com//addthis.com/bookmark.php?v=250" addthis:url='http://www.henkimaa.com/2010/02/06/good-for-my-worldbuilding-bad-for-my-world/' addthis:title='Good for my worldbuilding, bad for my world '><img src="//cache.addthis.com/cachefly/static/btn/v2/lg-share-en.gif" width="125" height="16" alt="Bookmark and Share" style="border:0"/></a></div>

<p>Related posts:<ol><li><a href='http://www.henkimaa.com/2010/02/10/building-consensus/' rel='bookmark' title='Building Consensus'>Building Consensus</a></li>
<li><a href='http://www.henkimaa.com/2010/01/22/toward-a-28th-amendment-corporations-are-not-human-persons/' rel='bookmark' title='Toward a 28th Amendment: Corporations are not human persons'>Toward a 28th Amendment: Corporations are not human persons</a></li>
<li><a href='http://www.henkimaa.com/2007/10/03/terraforming-notes/' rel='bookmark' title='Terraforming notes'>Terraforming notes</a></li>
</ol></p>]]></content:encoded>
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		<title>Crossed Genres anthology released — complete w/ my story &quot;Cold&quot;</title>
		<link>http://www.henkimaa.com/2010/02/01/crossed-genres-anthology-released/</link>
		<comments>http://www.henkimaa.com/2010/02/01/crossed-genres-anthology-released/#comments</comments>
		<pubDate>Mon, 01 Feb 2010 18:11:17 +0000</pubDate>
		<dc:creator>Mel Green</dc:creator>
				<category><![CDATA[Cold]]></category>
		<category><![CDATA[Crossed Genres]]></category>
		<category><![CDATA[lgbtq]]></category>
		<category><![CDATA[Melz published work]]></category>
		<category><![CDATA[science fiction]]></category>
		<category><![CDATA[writing]]></category>

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		<description><![CDATA[My story "Cold," from my novel-in-progress of the same title, is appearing again — this time in <em>Crossed Genres</em>' Year One anthology, which collects stories from each of the magazine's first twelve issues. <a href="http://www.henkimaa.com/2010/02/01/crossed-genres-anthology-released/">Continue reading <span class="meta-nav">&#8594;</span></a><div><a class="addthis_button" href="//addthis.com/bookmark.php?v=250" addthis:url='http://www.henkimaa.com/2010/02/01/crossed-genres-anthology-released/' addthis:title='Crossed Genres anthology released — complete w/ my story &#34;Cold&#34; '><img src="//cache.addthis.com/cachefly/static/btn/v2/lg-share-en.gif" width="125" height="16" alt="Bookmark and Share" style="border:0"/></a></div>


Related posts:<ol><li><a href='http://www.henkimaa.com/2009/11/01/crossed-genres-announces-its-first-short-story-anthology-and-cold-will-be-in-it/' rel='bookmark' title='Crossed Genres announces its first short story anthology &#8212; and &quot;Cold&quot; will be in it!'>Crossed Genres announces its first short story anthology &#8212; and &quot;Cold&quot; will be in it!</a></li>
<li><a href='http://www.henkimaa.com/2009/10/22/crossed-genres-lgbtq-issue-the-ad-goes-live/' rel='bookmark' title='Crossed Genres LGBTQ issue: The ad goes live'>Crossed Genres LGBTQ issue: The ad goes live</a></li>
<li><a href='http://www.henkimaa.com/2009/10/03/now-i-really-feel-like-a-writer-again/' rel='bookmark' title='Now I REALLY feel like a writer again'>Now I REALLY feel like a writer again</a></li>
</ol>]]></description>
			<content:encoded><![CDATA[<div class="wp-caption alignright" style="width: 209px"><a href="http://crossedgenres.com/announcements/crossed-genres-year-one-is-released/"><img title="Broomstick Aviation by Nicc Balce" src="http://www.henkimaa.com/images/fieldofwords/cold/crossedgenres-cover.jpg" alt="Broomstick Aviation by Nicc Balce (cover for Crossed Genres Year 1 anthology)" width="199" height="300" /></a><p class="wp-caption-text">Cover art: Broomstick Aviation by Nicc Balce</p></div>
<p>My story &#8220;Cold&#8221; is appearing again, this time in the <a href="http://crossedgenres.com/announcements/crossed-genres-year-one-is-released/"><em>Crossed Genres Year One</em> anthology</a>, just released today.</p>
<p><em>Crossed Genres</em> is a magazine of &#8220;science fiction &amp; fantasy with a twist&#8221; — each issue publishes stories which combine SF/F with another genre or theme.  Thus, my story was in the issue devoted entirely to science fiction/fantasy stories with lesbian, gay, bisexual, trans, and/or queer characters.  And you should <a href="http://crossedgenres.com/archives/012/">check that issue out</a> (it&#8217;ll be online through the end of October) because there&#8217;s not only my story &#8220;Cold&#8221; but a whole bunch of other really good LGBTQ stories &amp; articles too.  Even an <a href="http://crossedgenres.com/archives/012/interview-kate-bornstein-author-and-outlaw">interview with Kate Bornstein</a>!</p>
<p><em>CGY1</em> collects 12 stories selected from each of the first 12 issues of <em>Crossed Genres</em>:</p>
<ol>
<li><strong>&#8220;The Time of Tales&#8221;</strong> by C.L. Rossman (science fiction &amp; fantasy)</li>
<li><strong>&#8220;Back To the Beginning&#8221;</strong> by Marilou Goodwin (dystopian)</li>
<li><strong>&#8220;A Crazy Kind of Love&#8221;</strong> by Jeremy Zimmerman (romance)</li>
<li><strong>&#8220;The Near-Sighted Sentinel&#8221;</strong> by Adam King (crime)</li>
<li><strong>&#8220;Condiment Wars&#8221;</strong> by Jill Afzelius (humor)</li>
<li><strong>&#8220;Red Dust&#8221;</strong> by Amanda Lord (Western)</li>
<li><strong>&#8220;Deacon Carter’s Last Dime&#8221;</strong> by Nathan Crowder (urban)</li>
<li><strong>&#8220;The Strangler Fig&#8221;</strong> by Jennifer D. Munro (anthropomorphism)</li>
<li><strong>&#8220;The Bat And the Blitz&#8221;</strong> by Erika Tracy (alternate history)</li>
<li><strong>&#8220;The Good Old-Fashioned Kind of Water&#8221;</strong> by Camille Alexa (child fiction)</li>
<li><strong>&#8220;The Drain&#8221;</strong> by M. Palmer (horror)</li>
<li><strong>&#8220;Cold&#8221;</strong> by Melissa S. Green (LGBTQ)</li>
</ol>
<p>As an author, I was lucky — I&#8217;ve already got my copies.  But get your own too! <em>Crossed Genres Year One</em> is available in print from <a href="http://crossedgenres.com/store/print/crossed-genres-year-one-amazon/">Amazon</a> or <a href="http://crossedgenres.com/store/print/crossed-genres-year-one-createspace/">Createspace</a> for $9.99. Or, you can buy it <a href="http://crossedgenres.com/store/print/crossed-genres-year-one-pdf/">as a PDF download</a> directly from <em>Crossed Genres</em>.</p>
<p>Meanwhile, my story <a href="http://crossedgenres.com/archives/012/cold-by-melissa-s-green">&#8220;Cold&#8221;</a> is the first chapter of a novel-in-progress of the same title.  It&#8217;ll be online at <em>Crossed Genres</em> through end of October; &amp; if you like it, you can read another story that takes place shortly after &#8220;Cold&#8221; right here at Henkimaa.  It&#8217;s called <a href="http://www.henkimaa.com/2010/01/15/shark-a-story-for-haiti/">&#8220;Shark.&#8221;</a></p>
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<p>Related posts:<ol><li><a href='http://www.henkimaa.com/2009/11/01/crossed-genres-announces-its-first-short-story-anthology-and-cold-will-be-in-it/' rel='bookmark' title='Crossed Genres announces its first short story anthology &#8212; and &quot;Cold&quot; will be in it!'>Crossed Genres announces its first short story anthology &#8212; and &quot;Cold&quot; will be in it!</a></li>
<li><a href='http://www.henkimaa.com/2009/10/22/crossed-genres-lgbtq-issue-the-ad-goes-live/' rel='bookmark' title='Crossed Genres LGBTQ issue: The ad goes live'>Crossed Genres LGBTQ issue: The ad goes live</a></li>
<li><a href='http://www.henkimaa.com/2009/10/03/now-i-really-feel-like-a-writer-again/' rel='bookmark' title='Now I REALLY feel like a writer again'>Now I REALLY feel like a writer again</a></li>
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		<title>Shark (a story for Haiti)</title>
		<link>http://www.henkimaa.com/2010/01/15/shark-a-story-for-haiti/</link>
		<comments>http://www.henkimaa.com/2010/01/15/shark-a-story-for-haiti/#comments</comments>
		<pubDate>Sat, 16 Jan 2010 08:59:43 +0000</pubDate>
		<dc:creator>Mel Green</dc:creator>
				<category><![CDATA[Cold]]></category>
		<category><![CDATA[NaNoWriMo]]></category>
		<category><![CDATA[Polis]]></category>
		<category><![CDATA[Short fiction]]></category>
		<category><![CDATA[Crossed Genres]]></category>
		<category><![CDATA[Doctors without Borders]]></category>
		<category><![CDATA[earthquake]]></category>
		<category><![CDATA[Haiti]]></category>
		<category><![CDATA[Lambi Fund of Haiti]]></category>
		<category><![CDATA[NaNoWriMo 2007]]></category>
		<category><![CDATA[natural disaster]]></category>
		<category><![CDATA[Rainbow World Fund]]></category>
		<category><![CDATA[Red Cross]]></category>
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		<category><![CDATA[Yéle Haiti]]></category>

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		<description><![CDATA["Shark" is an excerpt from the novel-in-progress <em>Cold</em>, posted online for free as part of Crossed Genres' Post a Story for Haiti project.  Please donate to Haiti earthquake relief. <a href="http://www.henkimaa.com/2010/01/15/shark-a-story-for-haiti/">Continue reading <span class="meta-nav">&#8594;</span></a><div><a class="addthis_button" href="//addthis.com/bookmark.php?v=250" addthis:url='http://www.henkimaa.com/2010/01/15/shark-a-story-for-haiti/' addthis:title='Shark (a story for Haiti) '><img src="//cache.addthis.com/cachefly/static/btn/v2/lg-share-en.gif" width="125" height="16" alt="Bookmark and Share" style="border:0"/></a></div>


Related posts:<ol><li><a href='http://www.henkimaa.com/2010/02/16/writing-life/' rel='bookmark' title='Writing life'>Writing life</a></li>
<li><a href='http://www.henkimaa.com/2010/01/13/the-daily-tweets-2010-01-13-haiti-earthquake/' rel='bookmark' title='The Daily Tweets, 2010-01-13: Haiti earthquake'>The Daily Tweets, 2010-01-13: Haiti earthquake</a></li>
<li><a href='http://www.henkimaa.com/2010/01/15/haiti-disaster-profiteering-v-helping-haiti-rebuild-for-haitians/' rel='bookmark' title='Haiti: Disaster profiteering v. helping Haiti rebuild for Haitians'>Haiti: Disaster profiteering v. helping Haiti rebuild for Haitians</a></li>
</ol>]]></description>
			<content:encoded><![CDATA[<p>This story is posted online for free as part of Crossed Genres&#8217; <a href="http://crossedgenres.com/haiti/">Post a Story for Haiti</a>.  If you enjoy this story, please consider donating to one of the organizations working in the Haiti relief effort and long-term rebuilding.  I recommend:</p>
<ul>
<li><a href="http://donate.ifrc.org/">International Red Cross/Red Crescent</a> or <a href="https://american.redcross.org/site/Donation2?4306.donation=form1&amp;idb=520717783&amp;df_id=4306&amp;s_subsrc=RCO_NewsArticle">American Red Cross</a></li>
<li><a href="https://donate.doctorswithoutborders.org/SSLPage.aspx?pid=197&amp;hbc=1&amp;source=ADR1001E1D01">Doctors without Borders</a></li>
<li><a href="http://www.rainbowfund.org/">Rainbow World Fund</a></li>
<li><a href="http://www.yele.org/">Yéle Haiti</a></li>
<li><a href="http://www.lambifund.org/Earthquake-1.shtml">Lambi Fund of Haiti</a></li>
</ul>
<p>This story is part of the novel-in-progress <em>Cold</em>, and takes place not long after the events recounted in the story <a href="http://crossedgenres.com/archives/012/cold-by-melissa-s-green/">&#8220;Cold&#8221;</a> published in <em>Crossed Genres</em> Issue #12 (November 2009).  You might want to read that story, too.  Like &#8220;Cold&#8221;, &#8220;Shark&#8221; was originally written as part of NaNoWriMo 2007 (on November 5, 2007, to be exact), though it&#8217;s been heavily revised since.</p>
<h2 style="text-align: center;"><span style="color: #008000;">Shark</span></h2>
<p style="text-align: center;"><span style="color: #008000;"><em>by Melissa S. Green</em><br />
</span></p>
<p>&#8220;So what are you doing, Bai?&#8221; Lys Dabrukas gazed steadily across the table at her, looking, for the life of her, concerned.</p>
<p>Sweat was drying tight and prickly on Bai&#8217;s forehead.  She rubbed at it with the back of her hand.   &#8220;What do you mean, what am I doing?&#8221;  She was dirty and sweaty from the afternoon they&#8217;d just spent in the Turnbull soil manufactory, doing their part to help turn Oikos regolith into soil for the habitat&#8217;s expanding greenhouses and farms.  As they&#8217;d left the manufactory, Lys had prevailed upon her for a brief private conversation, so reluctantly she&#8217;d stopped by a breakroom with her while Boleyn and the others went ahead to the showers.  That&#8217;s what Bai would&#8217;ve liked a whole lot better than talking with Lys &#8212; a shower, a pair of clean cuvs, a meal with Boleyn and her little brother Chander, and then their plan for the evening: heading over to Blue Commons for the hospitality dance Blue was hosting for their own commons.  The Blue dance and gift exchange had been the talk of Green Commons all day — Turnbull Blue Commons was famous even in the UpAbove for its talented musicians.  Besides, Bai hadn&#8217;t seen her Guerrier cousins since Boleyn&#8217;s return, and she was eager to reintroduce them to each other.</p>
<p>From Lys: a frown of worry, a patient second attempt.  &#8220;You&#8217;re really wrecking your chances at Examination, you know.&#8221;</p>
<p>Boleyn dropped her hand.  &#8220;What?&#8221; she asked.  &#8220;How?&#8221;</p>
<p>Lys sighed.  &#8220;Your association with Boleyn Maheshwari, of course.&#8221;  First <em>and</em> last name, as if Boleyn was some stranger.  Lys tossed her head to get her hair out of her eyes.  She was grungy from the work, too, her face dirt-smudged and sweat-streaked except for the pale clean area around mouth and nose that her mask had protected.  &#8220;Don&#8217;t you see how that&#8217;s going to affect Examination?  I heard you were going up for it soon.&#8221;</p>
<p>Fishing for confirmation of the rumor?  Or fishing for something else, too?  It was a little surreal, really.  But then, this was Lys.  &#8220;Is this why you wanted to talk with me?&#8221; Bai asked tightly.  &#8220;To tell me this?&#8221;</p>
<p>&#8220;No, you&#8217;ve got to hear me out,&#8221; Lys said.</p>
<p>&#8220;I don&#8217;t know why.&#8221;  Over the past few days, it had become increasingly apparent how limited Lys&#8217; power among the Green Commons youngers really was.  Just an illusion, really, a balloon that Boleyn&#8217;s return had burst.  It wasn&#8217;t Boleyn&#8217;s return alone that factored in, of course.  There was also the growing preoccupation among their age-mates with the looming initiation into adulthood represented by Examination — a preoccupation only heightened after the rumor that Boleyn and Bai intended to Examine early began to circulate.  Examination would mean their formal acceptance into adult Consensus, and upon it depended the initial course of their lives as adults: what work they&#8217;d do and where they&#8217;d do it, the likely direction of their further education and life work, and along what timeline.</p>
<p>Lys was unprepared for Examination herself, Bai was sure of it. And if Bai and Boleyn succeeded in gaining adult Consensus a full year ahead of most of their age-mates — they&#8217;d be just that much further along than Lys.  Faced with this, Lys must finally be catching on to the fact that she wasn&#8217;t so powerful after all.  She&#8217;d no doubt thought to have another year to consolidate her influence over her peers, but her influence with Examination was no more nor any less than what any of them had: simply to contribute her own comments and observations about their strengths and weaknesses and what it was like to work, study, and live around them.  Examination was not guided by teenage concepts of popularity: what counted there was merit, maturity, motivation, and a record of responsibility and care toward Consensus, community, and &#8212; of course &#8212; to the terraforming project upon which the future of all humanity in this solar system depended.</p>
<p>&#8220;You used to like Boleyn okay back before they were exiled,&#8221; Bai said.  &#8220;What&#8217;s your problem with her now?  Why should you try to make it mine?  Are you planning to run us down at our Examinations?&#8221;</p>
<p>&#8220;No, of course not!&#8221; Lys denied, so wide-eyed that Bai was certain she&#8217;d hit a mark.</p>
<p>&#8220;Just tell the truth, Lys,&#8221; Bai said.  &#8220;<em>Integrity</em>, like Meikäläinen taught.  It&#8217;s the Consensus way.&#8221;  Strange, how the tired old saying she&#8217;d heard since childhood sounded actually true and meaningful in this instance.  She hadn&#8217;t even said it ironically.</p>
<p>&#8220;Of course we will,&#8221; Lys said, her eyes still wide.</p>
<p>We, Bai noted.  She could guess: Lys, Walker, Gavril&#8230; maybe Ana.  She didn&#8217;t think Masozi would go along with anything like that.  She must ask him what he&#8217;d heard.</p>
<p>Lys was flushing, as if she&#8217;d realized her little slip.  &#8220;It&#8217;s not&#8230; not as if I could comment much in Boleyn&#8217;s Examination anyway, it&#8217;s been five years&#8230;.&#8221;</p>
<p>&#8220;Then why are you warning me about my &#8216;association&#8217; with her?&#8221; Bai demanded.</p>
<p>Lys had never seen her angry before, Bai realized.  She was really rattled.  That must account for her backpedaling reaction and how florid she&#8217;d become under the sweat-tracked grime on her face.  She looked confused and defensive, as if she had the lower hand, not the upper.  Bai had the upper hand, it came to her.  Now <em>that</em> was an interesting thought.</p>
<p>Lys rallied.  &#8220;It&#8217;s their Exile, the Maheshwaris&#8217; Exile.  You&#8217;re&#8230;&#8221; — Lys hesitated, searching out a word — &#8220;<em>tainting</em> yourself with it.&#8221;  And mightily pleased she was with the word she&#8217;d found, too.  The flush in her face receded.</p>
<p>&#8220;Their Exile is over,&#8221; Bai said flatly.</p>
<p>To her surprise, Lys laughed.  &#8220;Oh please.  Don&#8217;t be naive, Bai.&#8221;  She looked at Bai&#8217;s face, laughed again.  &#8220;Surely you don&#8217;t believe that it was only about the stupid <em>yaks</em>.&#8221;</p>
<p>Bai kept her expression unchanged, not to give anything away.  If there was anything to tell her the difference between Lys and herself, it was that.  Until the Maheshwaris brought them forth from the Ark, yaks hadn&#8217;t been seen by anyone of the Project in three centuries and more.  Five generations, six generations, since Project ships left Sol System — but those yaks born out of the Ark-frozen ova and sperm of their dams and sires were only one generation from Earth.  <em>Their</em> parents had <em>lived</em> on Earth.  Those yaks were not stupid. They were miracles.  Miracles, what&#8217;s more, which could produce meat, cheese, wool that could be woven into clothing — animals who could even live wild off the land, adapted as they were through uncounted generations in the high mountain altitudes of Earth to the low atmospheric pressures that prevailed even at Metsi.  From Metsi, as Oikos&#8217; atmosphere thickened, they could spread to higher elevations &#8212; to Turnbull, maybe even as high up as Gusev.  All right, so the Maheshwaris had jumped the gun by fertilizing yak eggs before it was fully consensed — but the yaks were still miracles that would help them to live on this world under open skies, just as Esti Gusev and Jyoti Sindhu had dreamed so long ago.</p>
<p>As to issues beyond yaks and meat and wool and open skies &#8212; well, she hadn&#8217;t thought much lately about what else had played into the Maheshwaris&#8217; Exile.  She&#8217;d developed only an infirm grasp of other causes when she&#8217;d read through the record a year ago.  Ma had helped her understand some of the issues then &#8212; a little &#8212; and two or three of Boleyn&#8217;s remarks since she&#8217;d come back had give her pause for thought.  Clearly she needed to understand more.  She resolved then and there to read through the record all over again, and to insist Boleyn do so as well, and then to talk it over with her and with ma and the rest of the family.  Both families.  Ma had told her what they must do to prepare for entering into the responsibilities of adult Consensus.  Politics was a big part of it.</p>
<p>Lys might be a manipulator whose clumsy bullying now was obvious to someone like Bai who&#8217;d known her from diapers, but that was just the hamhandedness of a younger.  Michael Dabrukas, she suddenly remembered — Lys&#8217; father — had been a key player in the arguments that pushed the Maheshwaris&#8217; case to Court after an initial agreement involving a milder sanction had already come about.  Lys had probably learned a thing or two from her father.  If she couldn&#8217;t become World Emperor, or even king or queen or president, still, ma had said it: Lys was of that kind that idealists claimed Consensus government had put an end to: a politician.  &#8220;Michael Dabrukas himself says Consensus wiped out politicians,&#8221; Mei Wang had said a year ago, &#8220;because he&#8217;s an idealist.  But he&#8217;s fooling himself &#8212; what&#8217;s he, if not a politician?  So long as humans draw breath there will never be an end to politicians.  Desire for power is as inherent in our biology as sexual desire.&#8221;</p>
<p>Being now particularly afflicted with the latter of these, Bai was newly attuned to the lesson.  She wouldn&#8217;t put it past ma to have reckoned a year ago what would come to pass between her and Boleyn when they met again, and set up the lesson that way just so she&#8217;d remember.  Now she did remember, all of it.</p>
<p>There they&#8217;d been, ma and her on the couch in their quarters, ma sitting sidewise to face her, holding Bai&#8217;s hands in her own.  It had been three or four days after Bai finished reading the Library records on the Maheshwari case, a reading which had refreshed her bitterness and grief at what still, a year ago, had felt like a permanent loss of her friend.  Her love, yeah&#8230; ma surely had known that Boleyn and her went that deep with each other, even before Bai did herself.  Clever ma.</p>
<p>Bai had known the Exile was about more than the &#8220;stupid yaks,&#8221; but she&#8217;d never fully understood why.  She hadn&#8217;t gotten why Lys&#8217; father and the others in his camp had pushed the case up the line to Court to make the sanction harder, or why Boleyn&#8217;s parents — hell, why Boleyn herself, and Chander and Ajit — had accepted it.   She&#8217;d known that what she didn&#8217;t understand was important, so she&#8217;d brought her question to ma along with her tears.  For her tears, ma had held her hands.  For her question, ma had given her pragmatic explanation.  Desire for power, as inherent as sexual desire.</p>
<p>&#8220;Because of that,&#8221; ma had said, &#8220;we can&#8217;t afford to be idealistic about it.  Politics in itself isn&#8217;t evil — get used to that.  Consensus is just as political as any other system of government.  It&#8217;s different only in that it levels the playing field so that we all have a say, a <em>real</em> say, limited only by others&#8217; perceptions of how reliable we are.  You&#8217;ve read history —.&#8221;  Indeed Bai had, far beyond what Ser Carey had required.  She&#8217;d read back all the way to the chaos of Earth, because ma had said she should.  &#8220;Some governments,&#8221; ma said, &#8220;were based on a concentration of military power, or terror, or economic power.  Even many of those that claimed they were <em>democracies</em> were really based more on money: who had it and who didn&#8217;t, who could afford to buy votes or political advertising, or who controlled powerful business corporations like the ones our ancestors in the Main Belt and Outer System threw off. <em> Our</em> system is based on what you might call a concentration of the persuadable.  What gets influence isn&#8217;t money, but argument — persuasive argument, backed by the integrity and merit, so we hope, of those making the arguments.  What happened to Akash and Elizabeth, and to Boleyn and her brothers, was in part the result of arguments that convinced a supermajority, first of Consensus, and then of Court.  It doesn&#8217;t, however, mean that the arguments which prevailed were <em>correct</em> arguments.&#8221;</p>
<p>&#8220;Then they shouldn&#8217;t have had to go!&#8221; Bai had protested.</p>
<p>&#8220;I didn&#8217;t say they were <em>incorrect</em> arguments, either,&#8221; her mother had said.  Before Bai could protest at that, she said, &#8220;<em>I </em>believe they were incorrect.  But Akash and Elizabeth admitted they did wrong, and in some eyes that left them with little moral ground to stand on.  Besides, they themselves were influenced by certain private argu—&#8221;</p>
<p>&#8220;Why not?&#8221; Bai interrupted. &#8220;You&#8217;ve taught me one should admit one&#8217;s wrongs, and that honest and sincere confession always leads to mercy.&#8221;</p>
<p>&#8220;No, not <em>always</em>.  I&#8217;ve never said <em>always</em>.  Sometimes a shedding of blood brings mercy.  Sometimes it brings sharks.&#8221;</p>
<p>Then she&#8217;d had to explain that metaphor.  Bai, being her mother&#8217;s daughter, had looked sharks up in Library next chance she got.  Ugly, she thought them.  Ugly and fierce.  Maybe one day they&#8217;d come out of the Ark and she&#8217;s learn what they really were.</p>
<p>Lys wasn&#8217;t ugly, not physically in any case.  Fierce?&#8230; perhaps.  There&#8217;d been a time, before she&#8217;d turned into so much the bully and manipulator, that she&#8217;d been something of a friend.  In the first months after the Maheshwaris&#8217; departure, she&#8217;d been one of the few of Bai&#8217;s own age to whom Bai had exposed her grief.  Lys had been kind, then.  Blood, and mercy.  But if she were to expose herself now, Bai thought, Lys would be a shark.</p>
<p>Just the same, back then she&#8217;d been kind.  Bai had to remember that.  She wasn&#8217;t herself a shark. <em> Integrity</em>, like Meikäläinen taught.  Like Esti Gusev taught.  Like ma taught.  And so she couldn&#8217;t say anything other than what she said next.</p>
<p>&#8220;What any of the adults might think of me or Boleyn when our Examinations come,&#8221; she said, &#8220;that&#8217;s up to them.  But you know me, Lys.  Be fair.  Be fair to me, and be fair to Boleyn.  Your Examination will come up too.  I promise we&#8217;ll be fair to you.  We&#8217;ll <em>always</em> be fair to you.&#8221;</p>
<p>She could see from Lys&#8217; face that, again, she&#8217;d hit the mark.</p>
<p>She got up and went for her shower.</p>
<h2 style="text-align: center;"><span style="color: #008000;">Now it&#8217;s your turn.</span></h2>
<p style="text-align: left;">Please donate to Haiti earthquake relief.  Here are the links again:</p>
<ul>
<li><a href="http://donate.ifrc.org/">International Red Cross/Red Crescent</a> or <a href="https://american.redcross.org/site/Donation2?4306.donation=form1&amp;idb=520717783&amp;df_id=4306&amp;s_subsrc=RCO_NewsArticle">American Red Cross</a></li>
<li><a href="https://donate.doctorswithoutborders.org/SSLPage.aspx?pid=197&amp;hbc=1&amp;source=ADR1001E1D01">Doctors without Borders</a></li>
<li><a href="http://www.rainbowfund.org/">Rainbow World Fund</a></li>
<li><a href="http://www.yele.org/">Yéle Haiti</a></li>
<li><a href="http://www.lambifund.org/Earthquake-1.shtml">Lambi Fund of Haiti</a></li>
</ul>
<p>See also other <a href="http://crossedgenres.com/haiti/">Post a Story for Haiti</a> stories. Post your own, if you have one.</p>
<div><a class="addthis_button" href="http://www.henkimaa.com//addthis.com/bookmark.php?v=250" addthis:url='http://www.henkimaa.com/2010/01/15/shark-a-story-for-haiti/' addthis:title='Shark (a story for Haiti) '><img src="//cache.addthis.com/cachefly/static/btn/v2/lg-share-en.gif" width="125" height="16" alt="Bookmark and Share" style="border:0"/></a></div>

<p>Related posts:<ol><li><a href='http://www.henkimaa.com/2010/02/16/writing-life/' rel='bookmark' title='Writing life'>Writing life</a></li>
<li><a href='http://www.henkimaa.com/2010/01/13/the-daily-tweets-2010-01-13-haiti-earthquake/' rel='bookmark' title='The Daily Tweets, 2010-01-13: Haiti earthquake'>The Daily Tweets, 2010-01-13: Haiti earthquake</a></li>
<li><a href='http://www.henkimaa.com/2010/01/15/haiti-disaster-profiteering-v-helping-haiti-rebuild-for-haitians/' rel='bookmark' title='Haiti: Disaster profiteering v. helping Haiti rebuild for Haitians'>Haiti: Disaster profiteering v. helping Haiti rebuild for Haitians</a></li>
</ol></p>]]></content:encoded>
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		<title>Battlestar Rhapsody</title>
		<link>http://www.henkimaa.com/2010/01/12/battlestar-rhapsody/</link>
		<comments>http://www.henkimaa.com/2010/01/12/battlestar-rhapsody/#comments</comments>
		<pubDate>Tue, 12 Jan 2010 21:33:24 +0000</pubDate>
		<dc:creator>Mel Green</dc:creator>
				<category><![CDATA[Journal]]></category>
		<category><![CDATA[Battlestar Galactica (TV)]]></category>
		<category><![CDATA[Caprica (TV)]]></category>
		<category><![CDATA[humor]]></category>
		<category><![CDATA[science fiction]]></category>
		<category><![CDATA[video]]></category>

		<guid isPermaLink="false">http://www.henkimaa.com/?p=5683</guid>
		<description><![CDATA[This brilliant parody of Queen's "Bohemian Rhapsody" retells the tale of "Battlestar Galactica." <a href="http://www.henkimaa.com/2010/01/12/battlestar-rhapsody/">Continue reading <span class="meta-nav">&#8594;</span></a><div><a class="addthis_button" href="//addthis.com/bookmark.php?v=250" addthis:url='http://www.henkimaa.com/2010/01/12/battlestar-rhapsody/' addthis:title='Battlestar Rhapsody '><img src="//cache.addthis.com/cachefly/static/btn/v2/lg-share-en.gif" width="125" height="16" alt="Bookmark and Share" style="border:0"/></a></div>


Related posts:<ol><li><a href='http://www.henkimaa.com/2010/01/04/the-daily-tweets-2010-01-04/' rel='bookmark' title='The Daily Tweets, 2010-01-04: Back to work'>The Daily Tweets, 2010-01-04: Back to work</a></li>
<li><a href='http://www.henkimaa.com/2010/04/19/the-daily-tweets-2010-04-19/' rel='bookmark' title='The Daily Tweets, 2010-04-19: “Riverworld” livesnark'>The Daily Tweets, 2010-04-19: “Riverworld” livesnark</a></li>
<li><a href='http://www.henkimaa.com/2009/07/22/youre-looking-very-quitty-too/' rel='bookmark' title='You&#039;re looking very quitty, too'>You&#039;re looking very quitty, too</a></li>
</ol>]]></description>
			<content:encoded><![CDATA[<p>In the process of finally getting adding a blogroll to this blog, I&#8217;ve also been catching up on my reading, &amp; found this gem of a parody posted by<a href="http://asknicola.blogspot.com/2009/12/battlestar-rhapsody.html"> Nicola Griffith</a> back in December.  (She found it on <a href="http://www.huffingtonpost.com/2009/12/28/battlestar-galactica-meet_n_405324.html">Huffington Post</a>.)</p>
<p><a href="http://www.youtube.com/watch?v=JMgWaxtLbwE">&#8220;Battlestar Rhapsody&#8221; by The Great Luke Ski</a> (parodying Queen&#8217;s &#8220;Bohemian Rhapsody&#8221;)<br />
<object classid="clsid:d27cdb6e-ae6d-11cf-96b8-444553540000" width="500" height="405" codebase="http://download.macromedia.com/pub/shockwave/cabs/flash/swflash.cab#version=6,0,40,0"><param name="allowFullScreen" value="true" /><param name="allowscriptaccess" value="always" /><param name="src" value="http://www.youtube.com/v/JMgWaxtLbwE&amp;hl=en_US&amp;fs=1&amp;" /><param name="allowfullscreen" value="true" /><embed type="application/x-shockwave-flash" width="500" height="405" src="http://www.youtube.com/v/JMgWaxtLbwE&amp;hl=en_US&amp;fs=1&amp;" allowscriptaccess="always" allowfullscreen="true"></embed></object></p>
<p>Singing was a bit uneven, &amp; I had a hard time getting some of the lyrics, but luckily they&#8217;re online <a href="http://www.thefump.com/lyrics.php?id=1079">here</a>. What diehard <a href="http://www.syfy.com/battlestar/index.php">&#8220;Battlestar Galactica&#8221;</a> fan could help but love this?</p>
<p><a href="http://www.syfy.com/caprica/index.php">&#8220;Caprica&#8221;</a> starts January 22. Yeah.  Even if they did rename the channel something stupid like &#8220;SyFy.&#8221;</p>
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<p>Related posts:<ol><li><a href='http://www.henkimaa.com/2010/01/04/the-daily-tweets-2010-01-04/' rel='bookmark' title='The Daily Tweets, 2010-01-04: Back to work'>The Daily Tweets, 2010-01-04: Back to work</a></li>
<li><a href='http://www.henkimaa.com/2010/04/19/the-daily-tweets-2010-04-19/' rel='bookmark' title='The Daily Tweets, 2010-04-19: “Riverworld” livesnark'>The Daily Tweets, 2010-04-19: “Riverworld” livesnark</a></li>
<li><a href='http://www.henkimaa.com/2009/07/22/youre-looking-very-quitty-too/' rel='bookmark' title='You&#039;re looking very quitty, too'>You&#039;re looking very quitty, too</a></li>
</ol></p>]]></content:encoded>
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		<title>Crossed Genres announces its first short story anthology &#8212; and &quot;Cold&quot; will be in it!</title>
		<link>http://www.henkimaa.com/2009/11/01/crossed-genres-announces-its-first-short-story-anthology-and-cold-will-be-in-it/</link>
		<comments>http://www.henkimaa.com/2009/11/01/crossed-genres-announces-its-first-short-story-anthology-and-cold-will-be-in-it/#comments</comments>
		<pubDate>Mon, 02 Nov 2009 03:38:41 +0000</pubDate>
		<dc:creator>Mel Green</dc:creator>
				<category><![CDATA[Cold]]></category>
		<category><![CDATA[accepted for publication]]></category>
		<category><![CDATA[Crossed Genres]]></category>
		<category><![CDATA[lgbtq]]></category>
		<category><![CDATA[science fiction]]></category>
		<category><![CDATA[writing]]></category>

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		<description><![CDATA[<em>Crossed Genres</em> will publish its first anthology containing one story from each of its first 12 issues -- including my story "Cold" from the LGBTQ issue. <a href="http://www.henkimaa.com/2009/11/01/crossed-genres-announces-its-first-short-story-anthology-and-cold-will-be-in-it/">Continue reading <span class="meta-nav">&#8594;</span></a><div><a class="addthis_button" href="//addthis.com/bookmark.php?v=250" addthis:url='http://www.henkimaa.com/2009/11/01/crossed-genres-announces-its-first-short-story-anthology-and-cold-will-be-in-it/' addthis:title='Crossed Genres announces its first short story anthology &#8212; and &#34;Cold&#34; will be in it! '><img src="//cache.addthis.com/cachefly/static/btn/v2/lg-share-en.gif" width="125" height="16" alt="Bookmark and Share" style="border:0"/></a></div>


Related posts:<ol><li><a href='http://www.henkimaa.com/2010/02/01/crossed-genres-anthology-released/' rel='bookmark' title='Crossed Genres anthology released — complete w/ my story &quot;Cold&quot;'>Crossed Genres anthology released — complete w/ my story &quot;Cold&quot;</a></li>
<li><a href='http://www.henkimaa.com/2009/10/03/now-i-really-feel-like-a-writer-again/' rel='bookmark' title='Now I REALLY feel like a writer again'>Now I REALLY feel like a writer again</a></li>
<li><a href='http://www.henkimaa.com/2009/10/22/crossed-genres-lgbtq-issue-the-ad-goes-live/' rel='bookmark' title='Crossed Genres LGBTQ issue: The ad goes live'>Crossed Genres LGBTQ issue: The ad goes live</a></li>
</ol>]]></description>
			<content:encoded><![CDATA[<p><a href="http://crossedgenres.com/archives/012/"><img class="alignnone" title="Crossed Genres Issue #12, the LGBTQ issue, is now online" src="http://www.henkimaa.com/images/oa/crossedgenres12.jpg" alt="" width="500" height="62" /></a></p>
<p><a href="http://www.outeralliance.org/"><img class="alignright" title="Outer Alliance ally" src="http://www.henkimaa.com/images/oa/oally.png" alt="" width="100" height="100" /></a>This is some news I&#8217;ve been hanging on to for a few days, but now <em>Crossed Genres</em> has announced it, &amp; I&#8217;ve been given the go-ahead to blare it out from the rooftops too. (It&#8217;s mighty cold on those rooftops, I must say &#8212; but isn&#8217;t <em>cold</em> what &#8220;Cold&#8221; is all about?)</p>
<p>When I decided to submit a piece for <em>Crossed Genres&#8217;</em> LGBTQ issue, I just figured it was a good way to begin changing gears from my summer &amp; early fall of being dominated by politics.  (Chiefly, <a href="http://www.henkimaa.com/category/lgbtqa/ordinance/">the battle to gain equal protection under the law</a> for LGBTQ citizens of &amp; visitors to Anchorage &#8212; a battle that, once again, <a href="http://www.henkimaa.com/2009/08/13/third-time-in-35-years/">we initially won</a>, only to see the measure <a href="http://www.henkimaa.com/2009/08/17/protesting-the-veto/">vetoed</a> by a conservative mayor. But I&#8217;ll say no more about that right now, out of respect for my blood pressure.)</p>
<p>It had been a long time since I&#8217;d submitted anything for publication &#8212; my main writing activity for the last few years has been on novels-in-progress that I was continually distracted from by events in life, &amp; then by aforementioned politics.  So you can imagine my delight when I checked my inbox on October 3, just three days after submitting &#8220;Cold,&#8221; to find a message from Bart Leib accepting it for publication.  Maybe you can also imagine my further delight when a few days later I got an email from Kay Holt, telling me that <strong><em>Crossed Genres</em> would be publishing a anthology featuring one story from each of the 12 issues published in its first year &#8212; &amp; asking to use &#8220;Cold&#8221; to represent the LGBTQ issue</strong>.</p>
<p>I said yes, of course. I wrote back to Kay, &#8220;Whoa, between you &amp; Bart, you&#8217;re making  me very happy to be back in the saddle writing again!&#8221;</p>
<p>February is the month of my birth: usually my favorite birthday present is being able to go out to catch my bus after work &amp; finding the Sun still above the horizon. But this year? &#8212; <a href="http://crossedgenres.com/announcements/the-first-crossed-genres-anthology/">The first <em>Crossed Genres</em> anthology will be released on February 1, 2010</a>.  The anthology will be published in trade paperback format  (6″ x 9″), and will also be available in various digital formats.</p>
<p>Better yet, Crossed Genres is offering a <a href="http://crossedgenres.com/store/anthology-preorder/">preorder special</a>: if you preorder a copy anything this month (November 2009),  you&#8217;ll not only get 10% off the regular price of the anthology, but you&#8217;ll also get  <em>a free 1-year online subscription to Crossed Genres.</em> That&#8217;s $9 for a $20 value! <a href="http://crossedgenres.com/store/anthology-preorder/">Go here for more details and to place your preorder</a>.</p>
<p>Here&#8217;s what will be in the anthology &#8212; one story from each of the first 12 issues:</p>
<ol>
<li>(SciFi &amp; Fantasy) – <a href="http://crossedgenres.com/archives/001/the-time-of-tales-by-cl-rossman/">The Time of Tales</a> by C.L. Rossman</li>
<li> (Dystopian) – <a href="http://crossedgenres.com/archives/002/back-to-the-beginning-by-marilou-goodwin/">Back To the Beginning</a> by Marilou Goodwin</li>
<li>(Romance) – <a href="http://crossedgenres.com/archives/003/a-crazy-kind-of-love-by-jeremy-zimmerman/">A Crazy Kind of Love</a> by Jeremy Zimmerman</li>
<li>(Crime) – <a href="http://crossedgenres.com/archives/004/the-near-sighted-sentinel-by-adam-king/">The Near-Sighted Sentinel</a> by Adam King</li>
<li>(Humor) – <a href="http://crossedgenres.com/archives/005/condiment-wars-by-jill-afzelius/">Condiment Wars</a> by Jill Afzelius</li>
<li>(Western) – <a href="http://crossedgenres.com/archives/006/red-dust-by-amanda-lord/">Red Dust</a> by Amanda Lord</li>
<li>(Urban) – <a href="http://crossedgenres.com/archives/007/deacon-carters-last-dime-by-nathan-crowder/">Deacon Carter’s Last Dime</a> by Nathan Crowder</li>
<li>(Anthropomorphism) – <a href="http://crossedgenres.com/archives/008/the-strangler-fig-by-jennifer-d-munro/">The Strangler Fig</a> by Jennifer D. Munro</li>
<li>(Alternate History) – <a href="http://crossedgenres.com/archives/009/the-bat-and-the-blitz-by-erika-tracy/">The Bat And the Blitz</a> by Erika Tracy</li>
<li>(Child Fiction) – <a href="http://crossedgenres.com/archives/010/the-good-old-fashioned-kind-of-water-by-camille-alexa/">The Good Old-Fashioned Kind of Water</a> by Camille Alexa</li>
<li>(Horror) – <a href="http://crossedgenres.com/archives/011/the-drain-by-m-palmer/">The Drain</a> by M. Palmer</li>
<li><strong><span style="color: #008000;">(LGBTQ) – <a href="http://crossedgenres.com/archives/012/cold-by-melissa-s-green">Cold</a> by Melissa S. Green</span></strong></li>
</ol>
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<p>Related posts:<ol><li><a href='http://www.henkimaa.com/2010/02/01/crossed-genres-anthology-released/' rel='bookmark' title='Crossed Genres anthology released — complete w/ my story &quot;Cold&quot;'>Crossed Genres anthology released — complete w/ my story &quot;Cold&quot;</a></li>
<li><a href='http://www.henkimaa.com/2009/10/03/now-i-really-feel-like-a-writer-again/' rel='bookmark' title='Now I REALLY feel like a writer again'>Now I REALLY feel like a writer again</a></li>
<li><a href='http://www.henkimaa.com/2009/10/22/crossed-genres-lgbtq-issue-the-ad-goes-live/' rel='bookmark' title='Crossed Genres LGBTQ issue: The ad goes live'>Crossed Genres LGBTQ issue: The ad goes live</a></li>
</ol></p>]]></content:encoded>
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		<title>&quot;Cold&quot; is published!</title>
		<link>http://www.henkimaa.com/2009/10/31/cold-is-published/</link>
		<comments>http://www.henkimaa.com/2009/10/31/cold-is-published/#comments</comments>
		<pubDate>Sun, 01 Nov 2009 06:43:45 +0000</pubDate>
		<dc:creator>Mel Green</dc:creator>
				<category><![CDATA[Cold]]></category>
		<category><![CDATA[Crossed Genres]]></category>
		<category><![CDATA[Melz published work]]></category>
		<category><![CDATA[science fiction]]></category>
		<category><![CDATA[writing]]></category>

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		<description><![CDATA[My story "Cold" is now appearing in the November 2009 issue of <em>Crossed Genres</em>, which also has a lot of other great LGBTQ science fiction/fantasy.  Give it a read! <a href="http://www.henkimaa.com/2009/10/31/cold-is-published/">Continue reading <span class="meta-nav">&#8594;</span></a><div><a class="addthis_button" href="//addthis.com/bookmark.php?v=250" addthis:url='http://www.henkimaa.com/2009/10/31/cold-is-published/' addthis:title='&#34;Cold&#34; is published! '><img src="//cache.addthis.com/cachefly/static/btn/v2/lg-share-en.gif" width="125" height="16" alt="Bookmark and Share" style="border:0"/></a></div>


Related posts:<ol><li><a href='http://www.henkimaa.com/2010/02/01/crossed-genres-anthology-released/' rel='bookmark' title='Crossed Genres anthology released — complete w/ my story &quot;Cold&quot;'>Crossed Genres anthology released — complete w/ my story &quot;Cold&quot;</a></li>
<li><a href='http://www.henkimaa.com/2009/10/22/crossed-genres-lgbtq-issue-the-ad-goes-live/' rel='bookmark' title='Crossed Genres LGBTQ issue: The ad goes live'>Crossed Genres LGBTQ issue: The ad goes live</a></li>
<li><a href='http://www.henkimaa.com/2010/03/24/a-review-of-my-story-%e2%80%9ccold%e2%80%9d-brings-up-the-question-what-is-lgbtq-literature/' rel='bookmark' title='A review of my story “Cold” brings up the question: What is LGBTQ literature?'>A review of my story “Cold” brings up the question: What is LGBTQ literature?</a></li>
</ol>]]></description>
			<content:encoded><![CDATA[<p><a href="http://crossedgenres.com/archives/012/"><img class="alignnone" title="Crossed Genres ad for LGBTQ issue which will go live on Nov. 1" src="http://www.henkimaa.com/images/oa/crossedgenres12.jpg" alt="" width="500" height="62" /></a></p>
<p>Issue 12 of <a href="http://crossedgenres.com/"><em>Crossed Genres</em></a> went live tonight.  And I&#8217;m in it!  Woohoo!</p>
<p>So is a lot of other really good LGBTQ science fiction &amp; fantasy.  My story &#8220;Cold&#8221; is one of 10 fiction stories, 2 nonfiction articles, and some really good artwork, including the cover art from with the cover art above comes.  There&#8217;s also an interview with gender outlaw Kate Bornstein.</p>
<p>It&#8217;s pretty cool to be in such company. So please read!  Here&#8217;s the complete table of contents.</p>
<p><strong>Fiction</strong></p>
<ul>
<li> “Crawl” by Kate Bachus</li>
<li> “Cold” by Melissa S. Green</li>
<li> “Finished” by C.A. Young</li>
<li> “The Tale of the Innocent Little Mermaid Statue” by Megan Rose Gedris (with accompanying art)</li>
<li> “Mismatch” by Shay Darrach</li>
<li> “Heart of Venus” by Michael G. Farquhar</li>
<li> “Stay” by Angela Kroeger</li>
<li> “Woodwork” by Aditya Bidikar</li>
<li> “DEMM Wizard” by Deirdre M. Murphy</li>
<li> “Me And Susannah” by Tuulia Saaritsa</li>
</ul>
<p><strong>Nonfiction</strong></p>
<ul>
<li> “Heinlein’s Friday: A Trans Novel?” by Cheryl Morgan</li>
<li> “Why Gay Sci Fi And Fantasy Is Important” by Lee Wind</li>
</ul>
<ul>
<li>An interview with author and outlaw Kate Bornstein</li>
</ul>
<p><strong>Artwork</strong></p>
<ul>
<li> “Untitled” by Julie Dillon (Cover)</li>
<li> “Don’t tell Galvatron, but Shock Fleet’s lookin’ at him funny” by David Willis</li>
<li> Story art by Megan Rose Gedris (accompanying her story)</li>
<li> “Entwined” by Katoo Deziel</li>
<li> “Beauty And the Blob” by Michelle Gruben</li>
</ul>
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<p>Related posts:<ol><li><a href='http://www.henkimaa.com/2010/02/01/crossed-genres-anthology-released/' rel='bookmark' title='Crossed Genres anthology released — complete w/ my story &quot;Cold&quot;'>Crossed Genres anthology released — complete w/ my story &quot;Cold&quot;</a></li>
<li><a href='http://www.henkimaa.com/2009/10/22/crossed-genres-lgbtq-issue-the-ad-goes-live/' rel='bookmark' title='Crossed Genres LGBTQ issue: The ad goes live'>Crossed Genres LGBTQ issue: The ad goes live</a></li>
<li><a href='http://www.henkimaa.com/2010/03/24/a-review-of-my-story-%e2%80%9ccold%e2%80%9d-brings-up-the-question-what-is-lgbtq-literature/' rel='bookmark' title='A review of my story “Cold” brings up the question: What is LGBTQ literature?'>A review of my story “Cold” brings up the question: What is LGBTQ literature?</a></li>
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		</item>
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		<title>Taking life support for granted</title>
		<link>http://www.henkimaa.com/2009/10/14/taking-life-support-for-granted/</link>
		<comments>http://www.henkimaa.com/2009/10/14/taking-life-support-for-granted/#comments</comments>
		<pubDate>Thu, 15 Oct 2009 07:59:46 +0000</pubDate>
		<dc:creator>Mel Green</dc:creator>
				<category><![CDATA[Cold]]></category>
		<category><![CDATA[Long Dark]]></category>
		<category><![CDATA[NaNoWriMo]]></category>
		<category><![CDATA[biospherics]]></category>
		<category><![CDATA[CELSS]]></category>
		<category><![CDATA[Cold notes]]></category>
		<category><![CDATA[Long Dark notes]]></category>
		<category><![CDATA[NaNoWriMo 2009]]></category>
		<category><![CDATA[Pina Chomko (Cold)]]></category>
		<category><![CDATA[research for writing]]></category>
		<category><![CDATA[science fiction]]></category>
		<category><![CDATA[writing]]></category>

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		<description><![CDATA[Pina Chomko: s a story character in my novel-in-progress <em>Cold</em>. She's not like us: she grew up in outer space. Her dream: to take for granted all the life support services that nature provides for free -- just like us. <a href="http://www.henkimaa.com/2009/10/14/taking-life-support-for-granted/">Continue reading <span class="meta-nav">&#8594;</span></a><div><a class="addthis_button" href="//addthis.com/bookmark.php?v=250" addthis:url='http://www.henkimaa.com/2009/10/14/taking-life-support-for-granted/' addthis:title='Taking life support for granted '><img src="//cache.addthis.com/cachefly/static/btn/v2/lg-share-en.gif" width="125" height="16" alt="Bookmark and Share" style="border:0"/></a></div>


Related posts:<ol><li><a href='http://www.henkimaa.com/2009/10/12/biospherics/' rel='bookmark' title='Biospherics'>Biospherics</a></li>
<li><a href='http://www.henkimaa.com/2009/09/29/eating-in-outer-space/' rel='bookmark' title='Eating (&amp; breathing &amp; crapping) in outer space'>Eating (&amp; breathing &amp; crapping) in outer space</a></li>
<li><a href='http://www.henkimaa.com/2007/10/03/terraforming-notes/' rel='bookmark' title='Terraforming notes'>Terraforming notes</a></li>
</ol>]]></description>
			<content:encoded><![CDATA[<p><a title="Horsetail &amp; black spruce by yksin, on Flickr" href="http://www.flickr.com/photos/henkimaa/181988450/"><img src="http://farm1.static.flickr.com/76/181988450_223dafa70e.jpg" alt="Horsetail &amp; black spruce" width="500" height="375" /></a></p>
<div class="wp-caption alignright" style="width: 130px"><a href="http://www.nanowrimo.org/"><img title="NaNoWriMo 2009 participant" src="http://www.henkimaa.com/images/fieldofwords/nano/nano_b1.png" alt="My username on NaNoWriMo: yksin." width="120" height="240" /></a><p class="wp-caption-text">My username on NaNoWriMo: yksin.</p></div>
<p>Did I say a couple days ago that a bunch of books including <em><a id="static_txt_preview" href="http://www.amazon.com/gp/product/1881883043?ie=UTF8&amp;tag=henkimaa&amp;link_code=as3&amp;camp=211189&amp;creative=373489&amp;creativeASIN=1881883043">Spaceflight Life Support and Biospherics</a></em> by Peter Eckart (Microcosm, 1997) that cover topics I need to know a bit more about to write the story universe of <em>Long Dark</em> &amp; <em>Cold</em> were on their way to me &amp; should be here by Wednesday?</p>
<p>Why, yes.  I did.  &#8220;Sublight,&#8221; quoth I, &#8220;but still pretty damn fast.&#8221; In fact they got here a full day ahead of Wednesday.</p>
<p>Given the importance of <a href="http://www.henkimaa.com/2009/10/12/biospherics/">biospherics</a> to the story universe I&#8217;m writing, I&#8217;ve temporarily set aside <em>Centauri Dreams</em>, which I&#8217;m about one-third of the way through, &amp; started in on Eckart&#8217;s book.  So far I&#8217;m finding it even more helpful than I thought it would be, &amp; I&#8217;m not even into the CELSS stuff yet, other than whatever I gleaned on a fast page-through before sitting down to read it properly.</p>
<p>Some historical background: <em>biospherics</em> as a name for the study of closed ecological systems was first discussed in July 1987 at the First International Conference on Closed Life Systems hosted by the Royal Society in London; &amp; was adopted unanimously by delegates from Russia, the European Space Agency, the United Kingdom, &amp; the U.S. at the Second International Conference on Closed Life Systems in September 1989 in Krasnoyarsk, Siberia. <span style="color: #339966;">(p. 2)</span> Eckert&#8217;s book <em>Life Support and Biospherics</em>, published in 1994, was the first book that summarized knowledge on the topic; <em>Spaceflight Life Support and Biospherics</em>, published in 1996, is an update of that book.</p>
<p>What I didn&#8217;t expect is that a book on spaceflight life support would begin with a chapter talking about the fundamentals of the first biosphere, Earth itself.  But get into it: it makes sense.  It&#8217;s Earth&#8217;s ecological characteristics that any life support system will have to imitate to a lesser or greater degree.  Traditional spaceflight life support systems &#8212; physico-chemical systems &#8212; are on the <em>lesser</em> end of the scale: while they are well-understood &amp; (relatively) easy to engineer, they don&#8217;t replenish themselves, &amp; require an umbilical cord of resupply to keep their occupants alive. <em>Greater</em>: well, that&#8217;s where you&#8217;re getting into closed ecosystem life support systems (CELSS).  I&#8217;ve tended to think of them as being <em>closed</em> in the sense of them being inside an enclosure of some sort &#8212; a spaceship, a space station, a habitat on the Moon or Mars &#8212; but I&#8217;m starting to get that Eckart (&amp; others who study this stuff) especially mean <em>closed</em> in the sense that they&#8217;re self-sustaining: ideally speaking, they don&#8217;t require inputs from outside themselves.</p>
<p>So far, best I can tell, the only truly closed ecosystem life support system we know of that&#8217;s really worked has been Biosphere 1: the Earth.  Experiments like Bios 1, 2, &amp; 3 or Biosphere 2 have been just that: experiments to refine our knowledge &#8212; one day, it&#8217;s to be hoped, we&#8217;ll know how to build a small spaceship or space-colony-sized CELSS that will work.  Of course, my story universe assumes that we do.</p>
<p>Now, again, I&#8217;m early in the book &#8212; haven&#8217;t gotten to the CELSS chapters, not even to the physico-chemical LSS chapters &#8212; heck, haven&#8217;t even gotten to  the end of the Earth as an LSS chapter.  But there I was sitting on the bus today on my way from work to my dental appointment, &amp; Eckart reminded me of a fact that I first heard so clearly stated by the Canadian environmentalist <a href="http://en.wikipedia.org/wiki/David_Suzuki">David Suzuki</a>: most of what keeps us alive on spaceship Earth, we get for absolutely nothing.  Eckart:</p>
<blockquote><p><span style="color: #800000;">In fact, man is able to breathe, drink, and eat in comfort, because millions of organisms and hundreds of processes are operating in a coordinated manner out there in the environment.  Life support is provided by a vast, diffuse network of processes operating on different time scales.  Unfortunately, there is a tendency to take nature&#8217;s services for granted because no money has to be paid for most of them.</span> <span style="color: #008000;">(p. 13)</span></p></blockquote>
<p>But once you decide you want to take a big jump out of the gravity well, you can&#8217;t take <em>any</em> of it for granted.  Not least because it costs a lot in money, energy, work to rocket one&#8217;s way up into outer space, &amp; to rocket everything one needs to keep one alive up as well.</p>
<p>It&#8217;s really pretty sobering when you think about it.  How much we get for free, just because nature is kind enough to provide it.  Next, notice how increasingly services that are given freely &#8212; that are part of the Commons belonging to <em>all</em> of us &#8212; are being claimed as property by this or that human entity, &amp; especially, in recent years, by the fake persons known as <em>corporations</em>.  Patenting seeds? Patenting the human genome? Claiming intellectual or other property rights over stuff they didn&#8217;t do diddly to develop?  What bollocks.</p>
<p>That political element of the division of nature into <em>property</em> &amp; my rejection of treating <em>corporations</em> as <em>legal persons</em> do have a part in what I&#8217;m writing.  But even more pertinent at the moment: the simple fact that in outer space, you can&#8217;t take life support for granted.  All my characters from <em>Long Dark</em> and <em>Cold</em> have lived &#8212; up until the moment that they successfully terraform the planet (still without a name, still just called XXXX) in <em>Cold</em> — in a situation wherein they&#8217;re unable to take life support for granted.  Even once CELSS has been developed to the point of making long space voyages possible, those systems will always need constant monitoring by humans or their tools (computers, AIs, whatever): intervention in thought &amp; deed, if not by way of CARE packages or an umbilical cord or resupply from Mother Earth.</p>
<p>Such thoughts popped a lot more quickly into my head on the bus today than it took to write them up just now.  And so I quickly found myself thinking about Pina Chomko.</p>
<p>Pina Chomko is a character I invented two years ago during NaNoWriMo 2007 for <em>Cold</em>.  She&#8217;s important: not only as one of Bolyen Maheshwari&#8217;s most influential teachers &amp; mentors, but also in her own right as one of the first inhabitants of (damn, I really need to give my planet a name!) XXXX.  She&#8217;s an ecologist &#8212; more specifically, a <em>planetary</em> ecologist: &amp; that&#8217;s pretty kooky really when you stop to consider that she was born in a spaceship or space station aloft; all her ancestors to 5 or 6 or 7 generations back also lived in spaceships or other closed habitats; &amp; she never set foot on a planet until she was upwards of age 25.  Until then, all her knowledge of a planetary ecology was theoretical stuff that came out of books (or, more properly, Library) or came from other people whose whole knowledge came out of books/Library.</p>
<p>She has never been able to take life support for granted.  Her dream is to do so.  To seed the planet &amp; let it grow <em>not</em> under her watchful eye.</p>
<p>Next thing you know, I was laying back in the dentist&#8217;s chair thinking about Pina Chomko &amp; how I&#8217;m going to fill out her story.</p>
<p>It&#8217;s not easy to write a story when you&#8217;ve got two people&#8217;s hands in your mouth.  But I made some good headway.</p>
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<p>Related posts:<ol><li><a href='http://www.henkimaa.com/2009/10/12/biospherics/' rel='bookmark' title='Biospherics'>Biospherics</a></li>
<li><a href='http://www.henkimaa.com/2009/09/29/eating-in-outer-space/' rel='bookmark' title='Eating (&amp; breathing &amp; crapping) in outer space'>Eating (&amp; breathing &amp; crapping) in outer space</a></li>
<li><a href='http://www.henkimaa.com/2007/10/03/terraforming-notes/' rel='bookmark' title='Terraforming notes'>Terraforming notes</a></li>
</ol></p>]]></content:encoded>
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